2/05/2010

This fundamental deficit between our susceptibility to pleasure and our vulnerability to pain vitiates the attempt to commensurate them. Indeed, the assumption that humans possess a limitless sensitivity to physical pleasure, or an inexhaustible capacity for psychological enjoyment, is an unfounded spiritualist conceit. In this regard, Nietzsche’s insistence that ‘joy is deeper than heart’s agony’ (1969: 331) implies that in affirming the recurrence of any moment of joy, the finite human organism transcends its own determinate psychophysical constitution. Thus, the affirmation of recurrence is the moment when finite lunar joy eclipses boundless solar pain. Yet Nietzsche provides no explanation of what makes this transcendence possible, other than saying that it is a function of some sort of ‘strength’ and/or ‘power’, while leaving the source of this ‘strength’ or ‘power’ completely indeterminate, apart from attributing it to an inherent ‘superiority’ in the character of the will. But given that the capacity for withstanding and surmounting pain is part of Nietzsche’s definition of ‘superiority of will’ – a ‘will’ whose psychophysical basis remains wholly indeterminate – it is difficult to see how this superiority, which is cashed out in terms of wholly traditional virtues such as fortitude, resilience, and resourcefulness, differs from the venerable definition of spiritual superiority: ‘The discipline of suffering, of great suffering – you do not know that it is this discipline alone which has created every elevation of mankind hitherto?’ (1990b: §225). This is simply to endorse, rather than undermine, the spiritualization of suffering; indeed it is difficult to see how it differs from familiar Judaeo-Christian paeans to the spiritually edifying virtues of suffering. Either one ascribes a redemptive function to suffering itself, as does Christian dolorism, or one reintroduces a spiritual economy of means and ends, where the experience of woe is compensated for by some past remembrance or future expectation of bliss. Neither option can be reconciled with the stated aim of Nietzsche’s transvaluation, which was to overthrow the Judaeo-Christian register of evaluation altogether.
Sacrifice’s magical power consists in establishing a correspondence between things for which no ratio, no proportion of conceptual equivalence yet exists. This is its quite literal irrationality. More importantly, mimetic sacrifice establishes the fundamental distinction whose rationality Adorno and Horkheimer believe enlightenment is in the process of eliding: the distinction between animate and inanimate: ‘mana, the moving spirit, is not a projection but the preponderance of nature in the weak psyches of primitive peoples. The split between animate and inanimate, the assigning of demons and deities to certain specific places arises from this pre-animism. Even the division of subject and object is prefigured in it’ (Adorno and Horkheimer 2002: 11). Moreover, if as Adorno and Horkheimer argue, myth already exhibits the lineaments of explanatory classification which will be subsequently deployed in scientific rationality, then this distinction between animate and inanimate marks a fundamental cognitive accomplishment which science threatens to elide by converting all of nature into an undifferentiated material whose intelligibility requires a supplement of conceptual information. Scientific conceptualization mortifies the body: ‘The transformation into dead matter, indicated by the affinity of corpus to corpse, was a part of the perennial process which turned nature into stuff, material’ (Adorno and Horkheimer 2002: 194). Thus, Adorno and Horkheimer insist, ‘the disenchantment of the world means the extirpation of animism’ (2002: 2) – enlightenment ‘equates the living with the non-living just as myth had equated the non-living with the living’ (Adorno and Horkheimer 2002: 11). Yet animism harboured a form of non-conceptual rationality precisely insofar as its practice of sacrifice established a principle of reciprocity between inanimate power and animate powerlessness. The rationality of sacrifice consists in this power to commensurate incommensurables: power and impotence, life and death.
--There must be a reason ...
--Reason! but, good God, haven't we had enough ... reason.
--Women, he commenced, and then, --men rising to isolated challenges, he spends his life preparing to meet one, one single challenge, when he triumphs it's, they call it heroic, but you, I know how hard you try for me, women just go on, they just go on, and I ...
For just as the phenomenon of death indexes an anomalous zone in the conceptual fabric of the manifest image – the point at which our everyday concepts and categories begin to break down, which is why it remains a privileged topic for philosophers exploring the outer limits of the manifest image – so, by the same token, the concept of extinction represents an aberration for the phenomenological discourse which sought to transcendentalize the infrastructure of the manifest image precisely in order to safeguard the latter from the incursions of positivism and naturalism. Yet it is precisely insofar as the concept of extinction expresses a dissonance resulting from the interference between the manifest and scientific images that it could not have been generated from within the latter; it is manufactured by deploying the manifest image’s most sophisticated conceptual resources (in conjunction with elements of scientific discourse) against that image’s own phenomenological self-understanding. At this particular historical juncture, philosophy should resist the temptation to install itself within one of the rival images, just as it should refuse the forced choice between the reactionary authoritarianism of manifest normativism, and the metaphysical conservatism of scientific naturalism. Rather, it should exploit the mobility that is one of the rare advantages of abstraction in order to shuttle back and forth between images, establishing conditions of transposition, rather than synthesis, between the speculative anomalies thrown up within the order of phenomenal manifestation, and the metaphysical quandaries generated by the sciences’ challenge to the manifest order. In this regard, the concept of extinction is necessarily equivocal precisely insofar as it crystallizes the interference between the two discourses.