7/17/2022

There, from the pulpit, Seaman spoke about his life. The Reverend Ronald K. Foster introduced him, in a way that made it clear Seaman had been there before. I’m going to address five subjects, said Seaman, no more and no less. The first subject is DANGER. The second, MONEY. The third, FOOD. The fourth, STARS. The fifth and last, USEFULNESS. People smiled and some nodded their heads in approval, as if to say all right, as if to inform the speaker they had nothing better to do than listen to him. In a corner Fate saw five boys in black jackets and black berets and dark glasses, none of them older than twenty. They were watching Seaman with impassive faces, ready to applaud him or jeer. On the stage the old man paced back and forth, his back hunched, as if he had suddenly forgotten his speech. Unexpectedly, at a sign from the preacher, the choir sang a gospel hymn. The hymn was about Moses and the captivity of the people of Israel in Egypt. The preacher himself accompanied them on the piano. Then Seaman returned to center stage and raised a hand (he had his eyes closed), and in a few seconds the choir’s singing ceased and the church was silent.

DANGER. Despite what the congregation (or most of it) expected, Seaman began by talking about his childhood in California. He said that for those who hadn’t been to California, what it was most like was an enchanted island. The spitting image. Just like in the movies, but better. People live in houses, not apartment buildings, he said, and then he embarked on a comparison of houses (one-story, at most two-story), and four- or five-story buildings where the elevator is broken one day and out of order the next. The only way buildings compared favorably to houses was in terms of proximity. A neighborhood of buildings makes distances shorter, he said. Everything is closer. You can go walking to buy groceries or you can walk to your local tavern (here he winked at Reverend Foster), or the local church you belong to, or a museum. In other words, you don’t need to drive. You don’t even need a car. And here he recited a list of statistics on fatal car accidents in a county of Detroit and a county of Los Angeles. And that’s even considering that cars are made in Detroit, he said, not Los Angeles. He raised a finger, felt for something in the pocket of his jacket, and brought out an inhaler. Everyone waited in silence. The two spurts of the inhaler could be heard all the way to the farthest corner of the church. Pardon me, he said. Then he said he had learned to drive at thirteen. I don’t drive anymore, he said, but I learned at thirteen and it’s not something I am proud of. At that point he stared out into the room, at a vague spot in the middle of the sanctuary, and said he had been one of the founders of the Black Panthers. Marius Newell and I, he said, to be precise. After that, the speech subtly drifted from its course. It was as if the doors of the church had opened, wrote Fate in his notebook, and the ghost of Newell had come in. But just then, as if to avoid a certain awkwardness, Seaman began to talk not about Newell but about Newell’s mother, Anne Jordan Newell. He described her appearance (pleasing), her work (she had a job at a factory that made irrigation systems), her faith (she went to church every Sunday), her industriousness (she kept the house as neat as a pin), her kindness (she always had a smile for everyone), her common sense (she gave good advice, wise advice, without forcing it on anyone). A mother is a precious thing, concluded Seaman. Marius and I founded the Panthers. We worked whatever jobs we could get and we bought shotguns and handguns for the people’s self-defense. But a mother is worth more than the Black Revolution. That I can promise you. In my long and eventful life, I’ve seen many things. I was in Algeria and I was in China and in several prisons in the United States. A mother is a precious thing. This I say here and I’ll say anywhere, anytime, he said in a hoarse voice. He excused himself again and turned toward the altar, then he turned back to face the audience. As you all know, he said, Marius Newell was killed. A black man like you and like me killed him one night in Santa Cruz, California. I told him, Marius, don’t go back to California, there are too many cops there, cops out to get us. But he didn’t listen. He liked California. He liked to go to the rocky beaches on a Sunday and breathe the smell of the Pacific. When we were both in prison, I got postcards from him in which he told me he’d dreamed he was breathing that air. Which is strange, because I haven’t met many black folks who took to the sea the way he did. Maybe none, definitely none in California. But I know what he was talking about, I know what he meant. As it happens, I have a theory about this, about why we don’t like the sea. We do like it. Just not as much as other folks. But that’s for another occasion. Marius told me things had changed in California. There were many more black police now, for example. It was true. It had changed in that way. But in other ways it was still the same. And yet there was no denying that some things had changed. And Marius recognized that and he knew we deserved part of the credit. The Panthers had helped bring the change. With our grain of sand or our dump truck. We had contributed. So had his mother and all the other black mothers who wept at night and saw visions of the gates of hell when they should have been asleep. So he decided he’d go back to California and live the rest of his life there, in peace, out of harm’s way, and maybe he’d start a family. He always said he would call his first son Frank, after a friend who lost his life in Soledad Prison. Truth is, he would’ve had to have at least thirty children to pay tribute to all the friends who’d been taken from him. Or ten, and give each of them three names. Or five, and give them each six. But as it happened he didn’t have any children because one night, as he was walking down the street in Santa Cruz, a black man killed him. They say it was for money. They say Marius owed him money and that was why he was killed, but I find that hard to believe. I think someone hired that man to kill him. At the time, Marius was fighting the drug trade in town and someone didn’t like that. Maybe. I was still in prison so I don’t really know. I have my theories, too many of them. All I know is that Marius died in Santa Cruz, where he had gone to spend a few days. He didn’t live there and it’s hard to imagine the killer lived there. The killer followed Marius, is what I’m saying. And the only reason I can think of why Marius was in Santa Cruz is the ocean. Marius went to see the Pacific Ocean, went to smell it. And the killer tracked him down to Santa Cruz. And you all know what happened next. Oftentimes I think about Marius. More than I want to, to tell you the truth. I see him on the beach in California. A beach in Big Sur, maybe, or in Monterey north of Fisherman’s Wharf, up Highway 1. He’s standing at a lookout point, looking away. It’s winter, off-season. The Panthers are young, none of us even twenty-five. We’re all armed, but we’ve left our weapons in the car, and you can see the deep dissatisfaction on our faces. The sea roars. Then I go up to Marius and I say let’s get out of here now. And at that moment Marius turns and he looks at me. He’s smiling. He’s beyond it all. And he waves his hand toward the sea, because he’s incapable of expressing what he feels in words. And then I’m afraid, even though it’s my brother there beside me, and I think: the danger is the sea.

MONEY. In a word, Seaman believed that money was necessary, but not as necessary as some people claimed. He talked about what he called “economic relativism.” At Folsom Prison, he said, a cigarette was worth one-twentieth of a little jar of strawberry jam. Meanwhile, at Soledad, a cigarette was worth one-thirtieth of a jar. And at Walla-Walla, a cigarette was worth the same as a jar of jam, for one thing because the prisoners at Walla-Walla—who knows why, maybe because of some brainwashing against food, maybe because they were hooked on that nicotine—would have nothing to do with anything that was sweet, and all they wanted was to breathe that smoke into their lungs. Money, said Seaman, was ultimately a mystery, and as an uneducated man, he was hardly the right person to try to explain it. Still, he had two things to say. The first was that he didn’t approve of the way poor people spent their money, especially poor African Americans. It makes my blood boil, he said, when I see a pimp cruising around the neighborhood in a limousine or a Lincoln Continental. I can’t stand it. When poor people make money, they should behave with greater dignity, he said. When poor people make money, they should help their neighbors. When poor people make money, they should send their children to college and adopt an orphan, or more than one. When poor people make money, they should admit publicly to having made only half as much. They shouldn’t even tell their children how much they really have, because then their children will want the whole inheritance and won’t be willing to share it with their adopted siblings. When poor people make money, they should establish secret funds, not just to help the black people rotting in this country’s prisons, but to start small businesses like laundries, bars, video stores, the profits to be fully reinvested in the community. Scholarships. Never mind if the scholarship students come to a bad end. Never mind if the scholarship students end up killing themselves because they listened to too much rap, or killing their white teacher and five classmates in a rage. The road to wealth is sown with false starts and failures that should in no way discourage the poor who make good or our neighbors with newfound riches. We have to give it our all. We have to squeeze water from the rocks, and from the desert too. But we can never forget that money remains a problem to be solved, Seaman said.

FOOD. As you all know, said Seaman, pork chops saved my life. First I was a Panther and I faced down the police in California and then I traveled all over the world and then I lived for years on the tab of the U.S. government. When they let me out I was nobody. The Panthers no longer existed. In the minds of some, we were old terrorists. In the minds of others, we were a vague memory of sixties blackness, we were picturesque. Marius Newell had died in Santa Cruz. Some comrades had died in prison and others had made public apologies and started new lives. Now there weren’t just black cops. There were black people in public office, black mayors, black businessmen, famous black lawyers, black TV and movie stars, and the Panthers were a hindrance. So when they let me out there was nothing left, or next to nothing, the smoldering remains of a nightmare we had plunged into as youths and that as grown men we were leaving behind now, practically old men, you could say, with no future ahead of us, because during the long years in prison we’d forgotten what we knew and we’d learned nothing, nothing but cruelty from the guards and sadism from our fellow inmates. That was my situation. So those first months out on parole were sad and gray. Sometimes I would sit at the window for hours watching the lights blink on a nameless street, just smoking. I won’t lie to you, terrible thoughts crossed my mind more than once. Only one person helped me selflessly: my older sister, God rest her soul. She invited me to stay at her house in Detroit, which was small, but for me it was as if a princess in Europe had offered me her castle for a resting place. My days were all alike, but they had something that today, in hindsight, I don’t hesitate to call happiness. Back then I saw only two people regularly: my sister, who was the world’s most good-hearted human being, and my parole officer, a fat man who used to pour me a shot of whiskey in his office and he’d say: tell me, Barry, how could you be so bad? Sometimes I thought he said it to get me going. Sometimes I thought: this man is on the payroll of the California police and he wants to get me going and then he’ll shoot me in the gut. Tell me about your b——, Barry, he would say, referring to my manly attributes, or: tell me about the guys you killed. Talk, Barry. Talk. And he would open his desk drawer, where I knew he kept his gun, and wait. And what could I do? Well, I would say, I didn’t meet Chairman Mao, but I did meet Lin Piao, and later on he wanted to kill Chairman Mao and he was killed in a plane crash when he was trying to get away to Russia. A little man, wise as a serpent. Do you remember Lin Piao? And Lou would say he had never heard of Lin Piao in his life. Well, Lou, I would say, he was something like a Chinese cabinet member or like the Chinese secretary of state. And in those days we didn’t have a whole lot of Americans in China, I can tell you. You could say we paved the way for Kissinger and Nixon. And Lou and I could go on like that for three hours, him asking me to tell him about the guys I’d shot in the back, and me talking about the politicians I’d met and the countries I’d seen. Until I was finally able to get rid of him, with a little Christian patience, and I’ve never seen him since. Lou probably died of cirrhosis. And my life went on, with the same uncertainties and the same feeling of impermanence. Then, one day I realized there was one thing I hadn’t forgotten. I hadn’t forgotten how to cook. I hadn’t forgotten my pork chops. With the help of my sister, who was one of God’s angels and who loved to talk about food, I started writing down all the recipes I remembered, my mother’s recipes, the ones I’d made in prison, the ones I’d made on Saturdays at home on the roof for my sister, though she didn’t care for meat. And when I’d finished the book I went to New York and took it to some publishers and one of them was interested and you all know the rest. The book put me back in the public eye. I learned to combine cooking with history. I learned to combine cooking with the thankfulness and confusion I felt at the kindness of so many people, from my late sister to countless others. And let me explain something. When I say confusion, I also mean awe. In other words, the sense of wonderment at a marvelous thing, like the lilies that bloom and die in a single day, or azaleas, or forget-me-nots. But I also realized this wasn’t enough. I couldn’t live forever on my recipes for ribs, my famous recipes. Ribs were not the answer. You have to change. You have to turn yourself around and change. You have to know how to look even if you don’t know what you’re looking for. So those of you who are interested can take out pencil and paper now, because I’m going to read you a new recipe. It’s for duck à l’orange. This is not something you want to eat every day, because it isn’t cheap and it will take you an hour and a half, maybe more, to make, but every two months or when a birthday comes around, it isn’t bad. These are the ingredients, for four: a four-pound duck, two tablespoons of butter, four cloves of garlic, two cups of broth, a few sprigs of herbs, a tablespoon of tomato paste, four oranges, four tablespoons of sugar, three tablespoons of brandy, black pepper, oil, and salt. Then Seaman explained the preparation, step by step, and when he had finished explaining he said that duck made a fine meal, and that was all.

STARS. He said that people knew many different kinds of stars or thought they knew many different kinds of stars. He talked about the stars you see at night, say when you’re driving from Des Moines to Lincoln on Route 80 and the car breaks down, the way they do, maybe it’s the oil or the radiator, maybe it’s a flat tire, and you get out and get the jack and the spare tire out of the trunk and change the tire, maybe half an hour, at most, and when you’re done you look up and see the sky full of stars. The Milky Way. He talked about star athletes. That’s a different kind of star, he said, and he compared them to movie stars, though as he said, the life of an athlete is generally much shorter. A star athlete might last fifteen years at best, whereas a movie star could go on for forty or fifty years if he or she started young. Meanwhile, any star you could see from the side of Route 80, on the way from Des Moines to Lincoln, would live for probably millions of years. Either that or it might have been dead for millions of years, and the traveler who gazed up at it would never know. It might be a live star or it might be a dead star. Sometimes, depending on your point of view, he said, it doesn’t matter, since the stars you see at night exist in the realm of semblance. They are semblances, the same way dreams are semblances. So the traveler on Route 80 with a flat tire doesn’t know whether what he’s staring up at in the vast night are stars or whether they’re dreams. In a way, he said, the traveler is also part of a dream, a dream that breaks away from another dream like one drop of water breaking away from a bigger drop of water that we call a wave. Having reached this point, Seaman warned that stars were one thing, meteors another. Meteors have nothing to do with stars, he said. Meteors, especially if they’re on a direct collision course with the earth, have nothing to do with stars or dreams, though they might have something to do with the notion of breaking away, a kind of breaking away in reverse. Then he talked about starfish, he said he didn’t know how, but each time Marius Newell walked along a beach in California he came upon a starfish. But he also said that the starfish you find on the beach are usually dead, corpses tossed up by the waves, with exceptions, of course. Newell, he said, could always tell the dead starfish from the ones that were still alive. I don’t know how he did it, but he told them apart. And he left the dead on the beach and returned the living to the sea, tossing them near the rocks to give them a chance. Except once, when he brought a starfish home and put it in a tank, with some of that Pacific brine. This was in the early days of the Panthers, when we spent our time directing traffic in the community so cars wouldn’t speed through and kill the children. A couple of stoplights would have come in handy, but the city wouldn’t help us. So that was one of the first of the Panthers’ roles, as traffic cops. And meanwhile Marius Newell saw to his starfish. Naturally, before too long he realized that he needed a pump for his tank. One night he went out with Seaman and little Nelson Sánchez to steal one. None of them was armed. They went to a store that specialized in the sale of rare fish in Colchester Sun, a white neighborhood, and they went in through the back door. When Marius had the pump in his hands, there came a man with a shotgun. I thought that was the end of us, said Seaman, but then Marius said: don’t shoot, don’t shoot, it’s for my starfish. The man with the gun didn’t move. We stepped back. He stepped forward. We stopped. He stopped. We took another step back. He came after us. At last we got to the car that little Nelson was driving and the man stopped less than ten feet away. When Nelson started the car the man lifted the shotgun to his shoulder and he took aim. Step on it, I said. No, said Marius. Go slow. The car rolled out toward the main street and the man came walking after us, his gun raised. Now you can hit it, said Marius, and when little Nelson stepped on the gas the man stood still, shrinking until I saw him disappear in the rearview mirror. Of course, the pump didn’t do Marius any good, and a week or two later, for all the care he’d lavished on that starfish, it died and ended up in the trash. Really, when you talk about stars you’re speaking figuratively. That’s metaphor. Call someone a movie star. You’ve used a metaphor. Say: the sky is full of stars. More metaphors. If somebody takes a hard right to the chin and goes down, you say he’s seeing stars. Another metaphor. Metaphors are our way of losing ourselves in semblances or treading water in a sea of seeming. In that sense a metaphor is like a life jacket. And remember, there are life jackets that float and others that sink to the bottom like lead. Best not to forget it. But really, there’s just one star and that star isn’t semblance, it isn’t metaphor, it doesn’t come from any dream or any nightmare. We have it right outside. It’s the sun. The sun, I am sorry to say, is our only star. When I was young I saw a science fiction movie. A rocket ship drifts off course and heads toward the sun. First, the astronauts start to get headaches. Then they’re all dripping sweat and they take off their spacesuits and even so they can’t stop sweating and before long they’re dehydrated. The sun’s gravity keeps pulling them ceaselessly in. The sun begins to melt the hull of the ship. Sitting in his seat, the viewer can’t help feeling hot, too hot to bear. Now I’ve forgotten how it ends. At the last minute they get saved, I seem to recall, and they correct the course of that rocket ship and turn it around toward the earth, and the huge sun is left behind, a frenzied star in the reaches of space.

USEFULNESS. But the sun has its uses, as any fool knows, said Seaman. From up close it’s hell, but from far away you’d have to be a vampire not to see how useful it is, how beautiful. Then he began to talk about things that were useful back in the day, things once generally appreciated but now distrusted instead, like smiles. In the fifties, for example, he said, a smile opened doors for you. I don’t know if it could get you places, but it could definitely open doors. Now nobody trusts a smile. Before, if you were a salesman and you went in somewhere, you’d better have a big smile on your face. It was the same thing no matter whether you were a waiter or a businessman, a secretary, a doctor, a scriptwriter, a gardener. The only folks who never smiled were cops and prison guards. That hasn’t changed. But everybody else, they all did their best to smile. It was a golden age for dentists in America. Black folks, of course, were always smiling. White folks smiled. Asian folks. Hispanic folks. Now, as we know, our worst enemy might be hiding behind a smile. Or to put it another way, we don’t trust anybody, least of all people who smile, since we know they want something from us. Still, American television is full of smiles and more and more perfect-looking teeth. Do these people want us to trust them? No. Do they want us to think they’re good people, that they’d never hurt a fly? No again. The truth is they don’t want anything from us. They just want to show us their teeth, their smiles, and admiration is all they ask for in return. Admiration. They want us to look at them, that’s all. Their perfect teeth, their perfect bodies, their perfect manners, as if they were constantly breaking away from the sun and they were little pieces of fire, little pieces of blazing hell, here on this planet simply to be worshipped. When I was little, said Seaman, I don’t remember children wearing braces. Today I’ve hardly met a child who doesn’t wear them. Useless things are forced upon us, and it isn’t because they improve our quality of life but because they’re the fashion or markers of class, and fashionable people and high-class people require admiration and worship. Naturally, fashions don’t last, one year, four at most, and then they pass through every stage of decay. But markers of class rot only when the corpse that was tagged with them rots. Then he began to talk about useful things the body needs. First, a balanced diet. I see lots of fat people in this church, he said. I suspect few of you eat green vegetables. Maybe now is the time for a recipe. The name of the recipe is: Brussels Sprouts with Lemon. Take note, please. Four servings calls for: two pounds of brussels sprouts, juice and zest of one lemon, one onion, one sprig of parsley, three tablespoons of butter, black pepper, and salt. You make it like so. One: Clean sprouts well and remove outer leaves. Finely chop onion and parsley. Two: In a pot of salted boiling water, cook sprouts for twenty minutes, or until tender. Then drain well and set aside. Three: Melt butter in frying pan and lightly sauté onion, add zest and juice of lemon and salt and pepper to taste. Four: Add brussels sprouts, toss with sauce, reheat for a few minutes, sprinkle with parsley, and serve with lemon wedges on the side. So good you’ll be licking your fingers, said Seaman. No cholesterol, good for the liver, good for the blood pressure, very healthy. Then he dictated recipes for Endive and Shrimp Salad and Broccoli Salad and then he said that man couldn’t live on healthy food alone. You have to read books, he said. Not watch so much TV. The experts say TV doesn’t hurt the eyes. I’m not so sure. It won’t do your eyes any good, and cell phones are still a mystery. Maybe they cause cancer, as some scientists say. I’m not saying they do or they don’t, but there you have it. What I’m saying is, you have to read books. The preacher knows I’m telling you the truth. Read books by black writers. But don’t stop there. This is my real contribution tonight. Reading is never a waste of time. I read in jail. That’s where I started to read. I read a lot. I went through books like they were barbecue. In prison they turn the lights out early. You get in bed and hear sounds. Footsteps. People yelling. As if instead of being in California, the prison was inside the planet Mercury, the planet closest to the sun. You feel cold and hot at the same time and that’s a clear sign you’re lonely or sick. You try to think about other things, sure, nice things, but sometimes you just can’t do it. Sometimes a guard at the nearest desk turns on a lamp and light from that lamp shines through the bars of your cell. This happened to me any number of times. The light from a lamp set in the wrong place, or from the fluorescent bulbs in the corridor above or the next corridor over. Then I would pick up my book and hold it in the light and get to reading. It wasn’t easy, because the letters and the paragraphs seemed frenzied or spooked in that unpredictable, underground world. But I read and read anyway, sometimes so fast that even I was surprised, and sometimes very slowly, as if each sentence or word were something good for my whole body, not just my brain. And I could read like that for hours, not caring whether I was tired and not dwelling on the inarguable fact that I was in prison because I had stood up for my brothers, most of whom couldn’t care less whether I rotted or not. I knew I was doing something useful. That was all that counted. I was doing something useful as the guards marched back and forth or greeted each other at the change of shift with friendly words that sounded like obscenities to my ear and that, thinking about it now, might actually have been obscene. I was doing something useful. Something useful no matter how you look at it. Reading is like thinking, like praying, like talking to a friend, like expressing your ideas, like listening to other people’s ideas, like listening to music (oh yes), like looking at the view, like taking a walk on the beach. And you, who are so kind, now you must be asking: what did you read, Barry? I read everything. But I especially remember a certain book I read at one of the most desperate moments of my life and it brought me peace again. What book do I mean? What book do I mean? Well, it was a book called An Abridged Digest of the Complete Works of Voltaire, and I promise you that is one useful book, or at least it was of great use to me. (2666)

That night, as young Guerra’s grandiloquent words were still echoing in the depths of his brain, Amalfitano dreamed that he saw the last Communist philosopher of the twentieth century appear in a pink marble courtyard. He was speaking Russian. Or rather: he was singing a song in Russian as his big body went weaving toward a patch of red-streaked majolica that stood out on the flat plane of the courtyard like a kind of crater or latrine. The last Communist philosopher was dressed in a dark suit and sky-blue tie and had gray hair. Although he seemed about to collapse at any moment, he remained miraculously upright. The song wasn’t always the same, since sometimes he mixed in words in English or French, words to other songs, pop ballads or tangos, tunes that celebrated drunkenness or love. And yet these interruptions were brief and sporadic and he soon returned to the original song, in Russian, the words of which Amalfitano didn’t understand (although in dreams, as in the Gospels, one usually possesses the gift of tongues). Still, he sensed that the words were sad, the story or lament of a Volga boatman who sails all night and commiserates with the moon about the sad fate of men condemned to be born and to die. When the last Communist philosopher finally reached the crater or latrine, Amalfitano discovered in astonishment that it was none other than Boris Yeltsin. This is the last Communist philosopher? What kind of lunatic am I if this is the kind of nonsense I dream? And yet the dream was at peace with Amalfitano’s soul. It wasn’t a nightmare. And it also granted him a kind of feather-light sense of well-being. Then Boris Yeltsin looked at Amalfitano with curiosity, as if it were Amalfitano who had invaded his dream, not the other way around. And he said: listen carefully to what I have to say, comrade. I’m going to explain what the third leg of the human table is. I’m going to tell you. And then leave me alone. Life is demand and supply, or supply and demand, that’s what it all boils down to, but that’s no way to live. A third leg is needed to keep the table from collapsing into the garbage pit of history, which in turn is permanently collapsing into the garbage pit of the void. So take note. This is the equation: supply + demand + magic. And what is magic? Magic is epic and it’s also sex and Dionysian mists and play. And then Yeltsin sat on the crater or the latrine and showed Amalfitano the fingers he was missing and talked about his childhood and about the Urals and Siberia and about a white tiger that roamed the infinite snowy spaces. And then he took a flask of vodka out of his suit pocket and said:

“I think it’s time for a little drink.”

And after he had drunk and given the poor Chilean professor the sly squint of a hunter, he began to sing again, if possible with even more brio. And then he disappeared, swallowed up by the crater streaked with red or by the latrine streaked with red, and Amalfitano was left alone and he didn’t dare look down the hole, which meant he had no choice but to wake. (2666)

There is no friendship, said the voice, there is no love, there is no epic, there is no lyric poetry that isn’t the gurgle or chuckle of egoists, the murmur of cheats, the babble of traitors, the burble of social climbers, the warble of faggots. What is it you have against homosexuals? whispered Amalfitano. Nothing, said the voice. I’m speaking figuratively, said the voice. Are we in Santa Teresa? asked the voice. Is this city part of the state of Sonora? A pretty significant part of it, in fact? Yes, said Amalfitano. Well, there you go, said the voice. It’s one thing to be a social climber, say, for example, said Amalfitano, tugging at his hair as if in slow motion, and something very different to be a faggot. I’m speaking figuratively, said the voice. I’m talking so you understand me. I’m talking like I’m in the studio of a ho-mo-sex-u-al painter, with you there behind me. I’m talking from a studio where the chaos is just a mask or the faint stink of anesthesia. I’m talking from a studio with the lights out, where the sinew of the will detaches itself from the rest of the body the way the snake tongue detaches itself from the body and slithers away, self-mutilated, amid the rubbish. I’m talking from the perspective of the simple things in life. You teach philosophy? said the voice. You teach Wittgenstein? said the voice. And have you asked yourself whether your hand is a hand? said the voice. I’ve asked myself, said Amalfitano. But now you have more important things to ask yourself, am I right? said the voice. No, said Amalfitano. For example, why not go to a nursery and buy seeds and plants and maybe even a little tree to plant in the middle of your backyard? said the voice. Yes, said Amalfitano. I’ve thought about my possible and conceivable yard and the plants and tools I need to buy. And you’ve also thought about your daughter, said the voice, and about the murders committed daily in this city, and about Baudelaire’s faggoty (I’m sorry) clouds, but you haven’t thought seriously about whether your hand is really a hand. That isn’t true, said Amalfitano, I have thought about it, I have. If you had thought about it, said the voice, you’d be dancing to the tune of a different piper. And Amalfitano was silent and he felt that the silence was a kind of eugenics. (2666)

This is my house, said Amalfitano. Yes, I realize, said the voice, now why don’t we relax. I’m relaxed, said Amalfitano, I’m here in my house. And he wondered: why is it telling me to relax? And the voice said: I think this is the first day of what I hope will be a long and mutually beneficial relationship. But if it’s going to work out, it’s absolutely crucial that we stay calm. Calm is the one thing that will never let us down. And Amalfitano said: everything else lets us down? And the voice: yes, that’s right, it’s hard to admit, I mean it’s hard to have to admit it to you, but that’s the honest-to-God truth. Ethics lets us down? The sense of duty lets us down? Honesty lets us down? Curiosity lets us down? Love lets us down? Bravery lets us down? Art lets us down? That’s right, said the voice, everything lets us down, everything. Or lets you down, which isn’t the same thing but for our purposes it might as well be, except calm, calm is the one thing that never lets us down, though that’s no guarantee of anything, I have to tell you. You’re wrong, said Amalfitano, bravery never lets us down. And neither does our love for our children. Oh no? said the voice. No, said Amalfitano, suddenly feeling calm. (2666)

He dreamed of a woman’s voice, not Professor Pérez’s but a Frenchwoman’s, talking to him about signs and numbers and something Amalfitano didn’t understand, something the voice in the dream called “history broken down” or “history taken apart and put back together,” although clearly the reassembled history became something else, a scribble in the margin, a clever footnote, a laugh slow to fade that leaped from an andesite rock to a rhyolite and then a tufa, and from that collection of prehistoric rocks there arose a kind of quicksilver, the American mirror, said the voice, the sad American mirror of wealth and poverty and constant useless metamorphosis, the mirror that sails and whose sails are pain. (2666)

People used to sacrifice to the gods, and the wheat grew. Today, one works at a machine and one gets bread from the baker’s. The relation between the act and its result is no clearer than before. That is why the will plays so small a part in life today. We spend our time in wishing. Ambiguity of the word wish . . . Eliminate all wishing from human life. Substitute will—and give up expecting anything that is not the reward of work. If you get anything more, receive it as a grace . . . Ambiguity of the word grace, too. (the most beautiful word . . .) (Love can only be pure to the extent that it is, precisely, a grace). ' We no longer know how to receive grace. (First and Last Notebooks)

[Never forget that you have the whole world, the whole of life, before you . . . And that, for you, life can be and ought to be more real, more full, and more joyful than it has perhaps ever been for any human being . . . Don’t mutilate it in advance by any renunciation. Don’t allow yourself to be imprisoned by any affection. Preserve your solitude. If the day ever comes when a real friendship is bestowed on you there will be no conflict between your inner solitude and this friendship. On the contrary, that is the infallible sign by which you will know it. Other affections ought to be severely disciplined. In any case, there is only one serious weakness that you have to master, only a single one, but at the risk of dying without ever having lived . . .] (First and Last Notebooks)

The secret of the human condition is that equilibrium between man and the surrounding forces of nature “which infinitely surpass him” cannot be achieved by inaction; it is only achieved in the action by which man recreates his own life: that is to say, by work. (First and Last Notebooks)