[T]here is generally no growth but only a luxurious squandering of energy in every form! The history of life on earth is mainly the effect of a wild exuberance.

[W]e neither intend nor desire to thrust upon our own or any other people any scheme of social organization taken from books or concocted by ourselves. We are convinced that the masses of the people carry in themselves, in their instincts (more or less developed by history), in their daily necessities, and. in their conscious or unconscious aspirations, all the elements of the future social organization. We seek this ideal in the people themselves. Every state power, every government, by its very nature places itself outside and over the people and inevitably subordinates them to an organization and to aims which are foreign to and opposed to the real needs and aspirations of the people. We declare ourselves the enemies of every government and every state power, and of governmental organization in general. We think that people can be free and happy only when organized from the bottom up in completely free and independent associations, without governmental paternalism though not without the influence of a variety of free individuals and parties.

Police represent the state; the state has a monopoly of the legitimate use of violence within its borders; therefore, within that territory, police are by definition incommensurable with anyone else. This is essential to understanding what police actually are. Many sociological studies have pointed out that maybe 6% of the average police officer’s time is spent on anything that can even remotely be considered “fighting crime”. Police are a group of armed, lower-echelon government administrators, trained in the scientific application of physical force to aid in the resolution of administrative problems.

They are bureaucrats with guns, and whether they are guarding lost children, talking rowdy drunks out of bars, or supervising free concerts in the park, the one common feature of the kind of situation to which they’re assigned is the possibility of having to impose “non-negotiated solutions backed up by the potential use of force”.

art must continue to exist so that its existence is not a surrender to cynicism

He who wishes to know the truth abut life in its immediacy must scrutinize its estranged form, the objective powers that determine individual, the objective powers that determine individual existence even in its most hidden recesses. To speak immediately of the immediate is to behave much as those novelists who drape their marionettes in imitated bygone passions like cheap jewelry and make people who are no more than component parts of machinery act as if they still had the capacity to act as subjects, and as if something depended on their actions. Our perspective of life has passed into an ideology which conceals the fact that there is life no longer.

The communist hypothesis remains the good one, I do not see any other. If we have to abandon this hypothesis, then it is no longer worth doing anything at all in the field of collective action. Without the horizon of communism, without this Idea, there is nothing in the historical and political becoming of any interest to a philosopher. Let everyone bother about his own affairs, and let us stop talking about it. In this case, the rat-man is right, as is, by the way, the case with some ex-communists who are either avid of their rents or who lost courage. However, to hold on to the Idea, to the existence of this hypothesis, does not mean that we should retain its first form of presentation which was centered on property and State. In fact, what is imposed on us as a task, even as a philosophical obligation, is to help a new mode of existence of the hypothesis to deploy itself.

[The detective story] keeps in some sense before the mind the fact that civilisation itself is the most sensational of departures and the most romantic of rebellions... It is the agent of social justice who is the original and poetic figure, while the burglars and footpads are merely placid old cosmic conservatives, happy in the immemorial respectability of apes and wolves. [The police romance] is based on the fact that morality is the most dark and daring of conspiracies.

In language, instead of exerting direct violence on each other, we are meant to debate, to exchange words, and such an exchange, even when it is aggressive, presupposes a minimal recognition of the other party. The entry into language and the renunciation of violence are often understood as aspects of one and the same gesture: 'Speaking is the foundation and structure of socialization, and happens to be characterized by the renunciation of violence,' as a text by Jean-Marie Muller written for UNESCO tells us. Since man is a 'speaking animal,' this means that the renunciation of violence defines the very core of being human: [...] violence is 'indeed a radical perversion of humanity.'

Freud already knew about the link between narcissism and immersion in a a crowed, best rendered precisely by the Californian phrase 'to share an experience.' This coincidence of opposed features is grounded in the exclusion that they share: one not only can be, one is alone in a crowd. Both an individual's isolation and his immersion in a crowd exclude intersubjectivity proper, the encounter with an Other. This is why, as the French philosopher Alain Badiou set out in a perspicuous way, today more than ever one should insist on a focus on love, not mere enjoyment: it is love, the encounter of the Two, which 'transubstantiates' idiotic masturbatory enjoyment into an event proper.

The joke goes: Marx, Engels, and Lenin are asked whether they would prefer to have a wife or a mistress. As expected, Marx, rather conservative in private matters, answers, "A wife!" while Engels, more of a bon vivant, ops for a mistress. To everyone's surprise, Lenin says, "I'd like to have both!" Why? Is there a hidden stripe of a decadent jouisseur behind his austere revolutionary image? No--he explains: "So that I can tell my wife that I am going to my mistress, and my mistress that I have to be with my wife..." "And then, what do you do?" "I go to a solitary place to learn, learn, and learn!"

I think the origin of all this clamour for tonality is not so much the need to sense a relationship to the tonic, as a need for familiar chords: let us be frank and say "for the triad"; and I believe I have good reason to say that just so long as a certain kind of music contains enough such triads, it causes no offence, even if in other ways it most violently clashes with the sacred laws of tonality.

I have never seen faces, but because I have looked people in the eye, only their gazes.

Casi todo el mundo dice que es utopía: es la única cosa que podría salvar el mundo. Anarquía es el mas bonito que hay. Cada cuaba trabajar todo el mundo ni amos ni patrones, y cada cuaba hace lo que tiene en su cabeza -- todo mundo tiene algo dentro.

I mean that there is a relationship between the way that women are raped and your socialization to rape and the war machine that grinds you up and spits you out: the war machine that you go through just like that woman went through Larry Flynt’s meat grinder on the cover of Hustler. You damn well better believe that you’re involved in this tragedy and that it’s your tragedy too. Because you’re turned into little soldier boys from the day that you are born and everything that you learn about how to avoid the humanity of women becomes part of the militarism of the country in which you live and the world in which you live. It is also part of the economy that you frequently claim to protest.

And the problem is that you think it’s out there: and it’s not out there. It’s in you. The pimps and the warmongers speak for you. Rape and war are not so different. And what the pimps and the warmongers do is that they make you so proud of being men who can get it up and give it hard. And they take that acculturated sexuality and they put you in little uniforms and they send you out to kill and to die.

The non-domesticated know that, as Vaneigem (1975) put it, only the present can be total. This by itself means that they live life with incomparably greater immediacy, density and passion than we do. It has been said that some revolutionary days are worth centuries; until then "We look before and after," as Shelley wrote, "And sigh for what is not...."

The Mbuti believe (Turnbull 1976) that "by a correct fulfillment of the present, the past and the future will take care of themselves." Primitive peoples do not live through memories, and generally have no interest in birthdays or measuring their ages (Cipriani 1966). As for the future, they have little desire to control what does not yet exist, just as they have little desire to control nature. Their moment-by-moment joining with the flux and flow of the natural world does not preclude an awareness of the seasons, but this does not constitute an alienated time consciousness that robs them of the present.

Ask a method? Do you ask Spring her method? Which is more necessary, the sunshine or the rain? They are contradictory yes; they destroy each other yes, but from this destruction the flowers result.

Kill metaphor.

Anarchism says, Make no laws whatever concerning speech, and speech will be free; so soon as you make a declaration on paper that speech shall be free, you will have a hundred lawyers proving that "freedom does not mean abuse, nor liberty license"; and they will define and define freedom out of existence. Let the guarantee of free speech be in every man's determination to use it, and we shall have no need of paper declarations.

I do not want to "love my enemies," nor "let bygones be bygones." I do not want to be philosophical, nor preach their inclusion in the brotherhood of man. I want to hate them -- utterly. They have the power, they have the weapons, they have the law, they have the prisons; and what they have done before they will do again, whenever and wherever people try to be rid of them. They will do it until the people become stronger. And then -- perhaps -- then when they are beaten and thrown down, when they are made to understand how useless they are as they are, will be the time to think about forgiving them and teaching them to do some useful service in the world.

The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants. It is its natural manure.

Better the worst Stalinist terror than the most liberal capitalist democracy

It is not opium which makes me work but its absence, and in order for me to feel its absence it must from time to time be present.

Sickness is a state.
Health is just another, more base. That is, more cowardly and mean.
No patient has failed to grow.
The healthy always betray you to escape sickness, like the doctors I've had to endure.
I've been sick all my life, and ask only to keep it up. For the periods of privation in my life have always taught me a lot more on the plethora of my power than the petty-bourgeois credence of: HEALTH IS WEALTH.
For my being is beautiful, but awful. Beautiful because it is awful.
Curing a sickness is a crime.

The bourgeois sets the example, he absorbs surplus value for ends that ... have nothing to do with his own enjoyment: more utterly enslaved than the lowest of slaves, he is the first servant of the ravenous machine, the beast of the reproduction of capital. 'I too am a slave'- these are the new words spoken by the master.

The modern fact is that we no longer believe in this world. We do not even believe in the events that happen to us, love, death, as if they only half concerned us. It is not we who make cinema; it is the world which looks to us like a bad film.

I did say I was cautiously pessimistic about Obama's Presidency - but this is simply acknowledging the reality of an American Empire that is out of control and on the verge of collapse. Let us not forget that on the eve of the election, we witnessed a near-trillion dollar robbery of the US treasury. That robbery is still taking place. I do not blame President Obama, but I do not believe the financial and corporate interests that own and control this country will fold so easily. I do not question the integrity of the man as much as the power of his office - which I believe has greatly diminished over the years. I believe the Federal Reserve Bank, the Military Industrial Complex, and the massive corporate interests that run this country have more power than our new President. I hope I am wrong.

After 9/11, I witnessed most of this country become obsessed with squashing dissent and silencing critics. I hope this election does not turn Black America towards this same, fascist mind state; but already I am starting to see it, and it saddens me greatly. I absolutely wish our new President and his family success and safety. But after all I have witnessed in my lifetime, and especially in the last eight years, I am not ready to lay down my skepticism or my outrage for this government. To do so would be unwise and, ironically enough, anti-American.

Poets aren't so much in my debt, though they're admittedly members of my party, as they're a free race, as the saying goes, whose sole interest lies in delighting the ears of the foolish with pure nonsense and silly tales. Yet strange to say, they rely on these for the immortality and god-like life they assure themselves, and they make similar promises to others. 'Self-love and flattery' are their special friends, and no other race of men worships me with such wholehearted devotion [...] Of the same kidney are those who court immortal fame by writing books. They all owe a great deal to me, especially any who blot their pages with unadulterated rubbish. But people who use their erudition to write for a learned minority and are anxious to have either Persius or Laelius pass judgment don't seem to me favored by fortune but rather to be pitied for their continuous self-torture. They add, change, remove, lay aside, take up, rephrase, show to their friends, keep for nine years and are never satisfied. And their futile reward, a word of praise from a handful of people, they win at such a cost – so many late nights, such loss of sleep, sweetest of all things, and so much sweat and anguish. Then their health deteriorates, their looks are destroyed, they suffer partial or total lindness, poverty, ill-will, denial of pleasure, premature old age and early death, and whatever remaining disasters there may be. Yet the wise man believes he is compensated for everything if he wins the approval of one or another purblind scholar.

It is well-known that an automaton once existed, which was so constructed that it could counter any move of a chess-player with a counter-move, and thereby assure itself of victory in the match. A puppet in Turkish attire, water-pipe in mouth, sat before the chessboard, which rested on a broad table. Through a system of mirrors, the illusion was created that this table was transparent from all sides. In truth, a hunchbacked dwarf who was a master chess-player sat inside, controlling the hands of the puppet with strings. One can envision a corresponding object to this apparatus in philosophy. The puppet called “historical materialism” is always supposed to win. It can do this with no further ado against any opponent, so long as it employs the services of theology, which as everyone knows is small and ugly and must be kept out of sight.

We once lived in a world where the realm of the imaginary was governed by the mirror, by dividing one into two, by theatre, by otherness and alienation. Today that realm is the realm of the screen, of interfaces and duplication, of contiguity and networks.

That is how we sorcerers operate. Not following a logical order, but following alogical consistencies or compatibilities. The reason is simple. It is because no one, not even God, can say in advance whether a given multiplicity will or will not cross over into another given multiplicity, or even if given heterogeneous elements will enter symbiosis, will form a consistent, or cofunctioning, multiplicity susceptible to transformation.

With instant speed the cause of things began to emerge to awareness again, as they had not done with sequence and in concatenation accordingly. Instead of asking which came first, the chicken or the egg, it suddenly seemed that that a chicken was an egg’s idea for getting more eggs.

‘Even a potato in a dark cellar has a certain low cunning about him which serves him in excellent stead. He knows perfectly well what he wants and he knows how to get it […] If it be urged that the action of the potato is chemical and mechanical only […] the answer would seem to lie in an inquiry whether every sensation is not chemical and mechanical, whether those things which we deem the most spiritual are anything other but disturbances of equilibrium in a finite series of levers, beginning with those that are too small for microscopic detection, and going up to the human arm and the appliances which it makes use of?’

War is just a racket. A racket is best described, I believe, as something that is not what it seems to the majority of people. Only a small inside group knows what it is about. It is conducted for the benefit of the very few at the expense of the masses. I believe in adequate defence at the coastline and nothing else. If a nation comes over here to fight, then we'll fight. The trouble with America is that when the dollar only earns 6 percent over here, then it gets restless and goes overseas to get 100 percent. Then the flag follows the dollar and the soldiers follow the flag. I wouldn't go to war again as I have done to protect some lousy investment of the bankers. There are only two things we should fight for. One is the defence of our homes and the other is the Bill of Rights. War for any other reason is simply a racket. There isn't a trick in the racketeering bag that the military gang is blind to. It has its "finger men" to point out enemies, its "muscle men" to destroy enemies, its "brain men" to plan war reparations, and a "Big Boss" - Super-Nationalistic-Capitalism. It may seem odd for me, a military man to adopt such a comparison. Truthfulness compels me to. I spent thirty- three years and four months in active military service as a member of this country's most agile military force, the Marine Corps. I served in all commissioned ranks from Second Lieutenant to Major-General. And during that period, I spent most of my time being a high class muscle- man for Big Business, for Wall Street and for the Bankers. In short, I was a racketeer, a gangster for capitalism. I suspected I was just part of a racket at the time. Now I am sure of it. Like all the members of the military profession, I never had a thought of my own until I left the service. My mental faculties remained in suspended animation while I obeyed the orders of higher-ups. This is typical with everyone in the military service. I helped make Mexico, especially Tampico, safe for American oil interests in 1914. I helped make Haiti and Cuba a decent place for the National City Bank boys to collect revenues in. I helped in the raping of half a dozen Central American republics for the benefits of Wall Street. The record of racketeering is long. I helped purify Nicaragua for the international banking house of Brown Brothers in 1909-1912. I brought light to the Dominican Republic for American sugar interests in 1916. In China I helped to see to it that Standard Oil went its way unmolested. During those years, I had, as the boys in the back room would say, a swell racket. Looking back on it, I feel that I could have given Al Capone a few hints. The best he could do was to operate his racket in three districts. I operated on three continents.

If hysteria was the pathology of the exacerbated staging of the subject, a pathology of expression, of the body’s theatrical and operatic conversion; and if paranoia was the pathology of organization, of the structuration of a rigid and jealous world, with communication and information, with the immanent promiscuity of all these networks, with their continual connections, we are now in a new form of schizophrenia.

[C]onsider a blind man with a stick. Where does the blind man’s self begin? At the tip of the stick? At the handle of the stick? Or at some point halfway up the stick? These questions are nonsense, because the stick is a difference along which differences are transmitted under transformation, so that to draw a delimiting line across this pathway is to cut off a part of the systemic circuit which determines the blind man’s locomotion.

The youth Narcissus mistook his own reflection in the water for another person. This extension of himself by the mirror numbed his perceptions until he became the servomechanism of his own extended or repeated image. [...] Now the point of this myth is the fact that men at once become fascinated by any extensions of themselves in any material other than themselves [...] [T]he wisdom of the Narcissus myth does not convey any idea that Narcissus fell in love with anything he regards as himself. Obviously he would have had very different feelings about the image had he known it was an extension or repetition of himself.

The great bulk of fiction still being written is retrospective in character; it’s concerned with the origins of experience, behaviour, development of character over a great span of years; it interprets the present in terms of the past, and it uses a narrative technique, by and large the linear narrative, in which events are shown in more-or-less chronological sequence, which is suited to it. But when you turn to the present [...] I feel that what one needs is a non-linear technique, simply because our lives today are not conducted in linear terms. They are much more quantified; a whole stream of random events is taking place.

Consciousness, like memory and habit, is always a reflection on - which is to say, after - the unconscious processes which produce it. The attempt by a subject to grasp the moment will only ever produce a Mis-en abyme of auto-monitoring neurosis (always too late): the postmodern bad infinity of self-consciousness, crippling activity whilst not achieving transparency.

In Spinoza, it is only when the idea of the affection is doubled by an idea of the idea of the affection that it attains the level of conscious reflection. Conscious reflection is a doubling over of the idea on itself, a self-recursion of the idea that enwraps the affection or impingement, at two removes.

It sometimes happens that a man undergoes such changes that I would not be prepared to say that he is the same person. I have heard tell of a certain Spanish poet who was seized with sickness, and although he recovered, he remained so unconscious of his past life that he did not believe that the stories and tragedies he had written were his own.

Private persons are [...] simulacra.

Mind is an idea of the body

For Gothic Materialism, body horror is not something with which the body is afflicted merely contingently - it is not, for instance, a question of the penetration of a biotically-sealed interiority by invaders that may or may not strike - but something inherent to the body at all times and in all its operations. Body horror= cybernetic realism. Cronenberg: “One of our touchstones for reality is our bodies. And yet they[...] are by definition ephemeral.”[60] Wiener: “Our tissues changes as we live: the food we eat and the air we breathe become flesh of our flesh and bone of our bone, and the momentary elements of our flesh and bone pass out of our body every day through excreta[...] We are not stuff that abides, but patterns that repeat themselves.” (HUHB 96) From the point of view of a “residual” subject, then, body horror is a horror of the body’s terrifying mutability, its sheer meat materiality . As Deleuze observes when writing on Bacon, the body is always that which is escaping the subject: “It is not me who tries to escape my body, it is the body which tries to escape through itself.”[61] But it is also a horror the body registers itself , when “[b]eneath its organs it senses there are larvae and loathsome worms, and a God at work messing it all up or strangling it by organizing it.” (AO 9)

a post-mortem despotism, the despot become anus and vampire: ‘Capital is dead labour, that vampire-like, only lives by sucking living labour, and lives the more, the more labour it sucks’

As the authors of horror stories have understood so well, it is not death that serves as the model for catatonia, it is catatonic schizophrenia that gives its model to death. Zero intensity.

Most cinema today is an illustration of 19th century novels. A lot of it is disastrous, formulaic and predictable. The sense of pluralism has been curtailed.

Actionists, beatniks, hippies, and serial killers were all pure libertarians who advanced the rights of the individual against social norms and against what they believed to be the hypocrisy of morality, sentiment, justice, and pity. Having exhausted the possibilities of sexual pleasure, it was reasonable that individuals should turn their attention to the wider pleasure of cruelty.

As capitalism exemplifies and outstrips Marx’s most horrified descriptions of it, the Gothic escapes codification as a generic, psychological or fantastic mode to become the most persuasive materialist account of the contemporary socioeconomic scene. For cyberpunk, Marx’s most Gothic language has become his most realistic, whereas his organicist protestations against capital look like antique sentimentalities. “What Marx only thought [...] as ‘fantasy’ recodes and reassembles reality: as capital becomes the DNA of determinant technology, living labour is retrofitted as mere ‘conscious linkages’, reacting to digital stimuli, in ‘an automated system of machinery ... set in motion by an automaton, a moving power that moves itself.’”

As Deleuze-Guattari establish, it is catatonia - simulated or artificial death - rather than death itself that is Poe's obsession: “Horror-story writers have understood, after Edgar Allan Poe, that death wasn't the model for schizophrenic catatonia, but that the contrary was true, and that the catatonic was one who made of his body a body-without-organs, a decoded body, and that on such a body there is a kind of nullification of the organs.” (Deleuze, http) 'Mesmeric Revelation' is presented in the form of a simulated dialogue between 'Poe' and Vankirk, the victim of a terminal disease, who has, like Waldemar, allowed himself to be hypnotised. The 'mesmeric revelation' that the trans alive-dead Vankirk furnishes Poe with turns out to be a Spinozist disquisition on the nature of God and matter.

'Death', Vankirk tells 'Poe' in 'Mesmeric Revelation', is far from being the end, since 'There are two bodies - the rudimental and the complete ... what we call 'death' is but the painful metamorphosis.' ('Life is a lower form of matter.' [Artaud, 1965, 216]) The passage from 'life' to 'death' is not a journey from Being to (phenomenologically-construed) Nothingness, but a movement from the organism to the desolated but populous body [without organs] of zero. In Vankirk-Poe's hypermaterialist metaphysics, the 'ultimate life' is 'unorganized' since 'organs are contrivances by which the individual is brought into sensible relations with particular classes and forms of matter, to the exclusion of other classes and forms.' (Poe, 1982, 93) Either everything is alive, or nothing is. Either way, the distinction between living and nonliving, vital and mechanical is illegitimate and unworkable. 'To rudimental beings, organs are the cages necessary to confine them until fledged.' (Poe, 1982, 93)

And what is the Horror?

'me unconscious = me outside = Me noumenon.' (Grant, ibid.)

'Strip-out everything human, significant, subjective, or organic, and you approach raw K- Matrix, the limit-plane of continuous cessation or Unlife, where cosmic reality constructs itself without presupposition, in advance of any natural order, and exterior to established structures of time. On this plane you are impossible, and because it has no end you will find - will have ultimately always found - that you cannot be, except as a figment of terminal passage, an illusion of waiting to be changed for cthulhoid-continuum of destratified hypermatter at zero-intensity.' (Carver, 1999, html)

Even though we know that - at some level - we are becoming It, we confront the Horror of 'cthuloid continuum' only through the 'black mirror.' It's like death, since wherever It is, we cannot be. We sense that It includes us, but we [know we] cannot know It, since to admit It is to become It and to become It is to cease to be who we are

It's of course no accident that the current power elite (Spielberg, Lucas, Gates, Blair) belonged to the so-called counterculture of the 1960s. Capital, needless to say, is indifferent to individual human motivation, but happy slaves are better slaves, and the reprogramming of the way the master class thinks (about itself, about workers, about capital) has been crucial to the presentation of the multi-nationalised capital's current dominion as immutable fact. And George Lucas' 'transubstantiation' of Apocalypse Now into Star Wars is emblematic of the shifts in late capitalism since the 60s. The smooth transition from hippy to hyper-capitalist, from slacker hedonism to authoritarianism, from engagement to entertainment, retrospectively reveals what the punks knew so we when they cackled 'never trust a hippie'. Far from posing any threat to capitalism, the dope-smoking, soap-dodging rockers of the 60s were acting as capitalism's reserve army of exploiters, whose time spent at festivals and on the experimental avant-garde fringe did little or nothing to engineer lines of collective escape, but yielded instead resources for the new forms of enslavement that loom everywhere around us now. Exactly those likely to have 'approved' of Kubrick's critique of corporate-controlled environments in 1968 are now administering their own 'total control' systems, all the more sinister for their shirtsleeves 'informality', all the more enveloping because the bosses wire themselves into the circuit, flaunting their own self-exploitation as both inevitable and exemplary. As Deleuze and Guattari had it in Anti-Oedipus, "The bourgeois sets the example, he absorbs surplus value for ends that ... have nothing to do with his own enjoyment: more utterly enslaved than the lowest of slaves, he is the first servant of the ravenous machine, the beast of the reproduction of capital. 'I too am a slave'- these are the new words spoken by the master."

In the world of Oedipal sexuality there is no more wandering around freely and uniting amongst the organs, no interrelation of immediate pleasure. Now there is only one organ, one single sexual organ which stands in the center of the triangular Oedipal relationship as the One which assigns the three elements of the triangle their place. It is this One which accounts for the lack, which determines the despotic signifier (signifiant despotique, Deleuze and Guattari), through which various situations of the overall person develop. It is that complete and isolated object which plays the same role in the sexuality of our society as money plays in a capitalist economy: that of the fetish and the truly universal point of reference of all trade, in the one case economic and in the other of desire (...). "Sex" is, above all, a word for describing the phallus.

Philosophers are familiar with reason but are only beginning to discover intelligence. Impersonal, anonymous, and disinterested, intelligence may have found a temporary support in the terrestrial biosphere, but certainly not a home. It cares nothing for the norms of pure reason, the bounds of sense, or the interests of life. While transcendental orthodoxy wastes time staving off the imminent liquidation of reason, sense, and life, transcendental materialism celebrates the deterritorialization of intelligence.

Tedium is not the disease of being bored because there's nothing to do, but the more serious disease of feeling that there's nothing worth doing. This means that the more there is to do, the more tedium one will feel.

I've never seen suicide as a solution, because my hatred of life is due to my love of life. It took me a long time to be convinced of this unfortunate mistake in how I live with myself. Convinced of it, I felt frustrated, which is what I always feel when I convince myself of something, since for me each new conviction means another lost illusion.

It takes a certain intellectual courage for a man to frankly recognize that he's nothing more than a human tatter, an abortion that survived, a madman not mad enough to be committed; and once he recognizes this, it takes even more moral courage to devise a way of adapting to his destiny, to accept without protest and without resignation, without any gesture or hint of a gesture, the organic curse imposed on him by Nature. To want not to suffer from this is to want too much, for it's beyond human capacity to accept what's obviously bad as if it were something good; and if we accept it as the bad thing it is, then we can't help but suffer.

[My empiricism] is derived from the two characteristics by which Whitehead defined empiricism: the abstract does not explain, but must itself be explained; and the aim is not to rediscover the eternal or the universal, but to find the conditions under which something new is produced (creativeness).

[Karl] Polanyi [writing in the 1940s] detected the link yoking liberalism to fascism, inasmuch as fascism saw its task as preventing interference in the price system and diminishing the sum total of goods produced, as promoted by both communism and democracy. 'Fascism', hence, 'is condoned as the safeguard of liberal economics through the elimination of a democratic political sphere and the subsequent reorganization of economic life - market capitalism - on the template of different branches of industry to become the whole of society.' As a result, fascism everywhere appeared under the banner of solving the crisis of capitalism by calling into question the utility of all forms of political representation.

Although his theme is depression rather than abjection, Michael Ignatieff brilliantly summarizes the essential link between the depths of our personal agony and our conviction that it is precisely in those depths that we can locate an otherwise inaccessible truth:

"Of all the painful features of a depression, the worst may be its truth. As long as some portion of our mind believes that our reactions and emotions are exaggerated, we can shield ourselves from the full force of melancholia. But if we convince ourselves that depression lays bare the reality of our existence, we experience our own despair as the scourge of truth....Our despair seems to cast the sinister light of truth on all our former experience. In this phase, depression appears as the bearer of bad but indisputable tidings."*

Because we sense that our unhappiness has brought us in touch with a core of meaning more authentic than the assumptions on which quotidian existence bases its habitual justifications, we are at once indebted to anyone who agrees with our estimation of its meaning and outraged at anyone who would question its revelatory authority. As Ignatieff notes, "Nothing is more likely to arouse rage than the tinny eudaemonism of the variety 'Look on the bright side,' 'Don't let things get out of proportion.' The insult here is an insult to the truth of lived experience.

[supercomputer to man] …talking to you is like giving birth to a leviathan through the eye of a needle -- which turns out to be possible, if the leviathan is sufficiently reduced. But then the leviathan looks like a flea. Such are my problems when I try to adapt myself to your language. As you see, the difficulty is not only that you cannot reach my heights, but also that I cannot wholly descend to you, for in descending I lose along the way what I wanted to convey.

In Gaza, children,
you learn that the sky kills
and that houses hurt.
You learn that your blanket is smoke
and breakfast is dirt.

You learn that cars do somersaults
clothes turn red,
friends become statues,
bakers don’t sell bread.

You learn that the night is a gun,
that toys burn
breath can stop,
it could be your turn.

You learn:
if they send you fire
they couldn’t guess:
not just the soldier dies -
it’s you and the rest.

Nowhere to run,
nowhere to go,
nowhere to hide
in the home you know.

You learn
that death isn’t life,
that air isn’t bread,
the land is for all.
You have the right to be
Not Dead.
You have the right to be
Not Dead.
You have the right to be
Not Dead.

The Stranger

Tell me, enigmatical man, whom do you love best, your father, your mother, your sister, or your brother?
I have neither faither, not mother, nor sister nor brother.
Your friends?
Now you use a word whose meaning I have never known.
Your country?
I do not know in what latitude it lies.
Beauty?
I could indeed love her, Goddess and Immortal.
Gold?
I hate it as you hate God.
Then, what do you love, extraordinary stranger?
I love the clouds ... the clouds that pass ... up there ... up there ... the wonderful clouds!

Desire is not putting something up on a pedestal and saying, hey, I desire this. We don't desire liberty and so forth, for example; that doesn't mean anything. We find ourselves in situations.

When a social mutation appears, it is not enough to draw the consequences or effects according to lines of economic or political causality. Society must be capable of forming collective agencies of enunciation that match the new subjectivity, in such a way that it desires its own mutation. It's a veritable redeployment. The American New Deal and the Japanese boom correspond to two very different examples of subjective redeployment, into all sorts of ambiguities and even reactionary structures. But they produced enough initiative and creativity to conceive new social states capable of responding to the demands of the event. Following 68 in France, on the contrary, the authorities never stopped living with the idea that "things will settle down". And indeed, things did settle down, but under catastrophic conditions. May 68 was neither the result of, nor a reaction to a crisis. It is rather the opposite. It is the current crisis in France, the impasse that stems directly from the inability of the French society to assimilate May 68. French society has shown a radical incapacity to create a subjective redeployment on the collective level, which is what 68 demands. In this light, how could it now trigger an economic redeployment that would ever satisfy the expectations of the "left"? French society never came up with anything for the people: nothing at school, nothing at work. Everything that was new was marginalized or reduces into caricature. Today we see the population of Longwy cling to their steel, the dairy farmers to their cows, etc. What else can they do? Every collective enunciation by a new existence, by a new collective subjectivity, was crushed in advance by the reaction against 68, on the left almost as much as on the right. Even by the "free radio stations". Each time it appeared, the possible was closed off.

The children of May 68, you can run into them all over the place, even if they are not aware of who they are. Each country produces them in its own way. Their situation isn't so great. These are not young executives. These are strangely indifferent, and for this very reason are in the right frame of mind. They have stopped being demanding and narcissistic, but they know perfectly well that nothing today corresponds to their subjectivity, to their potential of energy. They even know that all current reforms are rather directed against them. They are determined to mind their own business as much as they can. They hold it open, hang on to something possible. It is Coppola who created their poetized portrait in Rusty James. The actor Mickey Rourke explained: "The character is at the end of his rope, on the edge. He's not the Hell's Angel type. He's got brains and he's got good sense. But he hasn't got any university degree. And it is this combination that makes him go crazy. He knows that there's no job for him because he is smarter than any guy willing to hire him" (Libération, February 15, 1984).

This is true of the entire world. What we institutionalize for the unemployed, the retired, or in school, are controlled "situations of abandonment". For these, the handicapped are the model. The only subjective redeployments actually occurring collectively are those of an unbridled American-style capitalism, of a Muslim fundamentalism like in Iran, or of Afro-American religion like in Brazil: the reversed figures of a new orthodoxy (one should add European neo-Papism to the list). Europe has nothing to suggest, and France seems no longer to have any other ambition than to assume the leadership of an Americanized and over-armed Europe that would impose the necessary economic redeployment from above. But the field of the possible lives elsewhere. Along the East-West axis, in pacifism, insofar as it intends to break up not only relations of conflict and over-armament, but also of complicity and distribution between the United States and the Soviet Union. Along the North-South axis, in a new internationalism that no longer relies solely of an alliance with the third-world, but on the phenomena of third-worldification in the rich countries themselves (the evolution of metropolises, the decline of the inner-cities, the rise of a European third-world, as Paul Virilio has theorized them). There can only be creative solutions. These are the creative redeployments that can contribute to a resolution of the current crisis and that can take over where a generalized May 68, amplified bifurcation or fluctuation, left off.

...Human beings are not born once and for all on the day their mothers give birth to them, but...life obliges them over and over again to give birth to themselves.

Every day we slaughter our finest impulses. That is why we get a heartache when we read those lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled because we lacked the faith to believe in our own powers, our own criterion of truth and beauty. Every man, when he gets quiet, when he becomes desperately honest with himself, is capable of uttering profound truths. We all derive from the same source. there is no mystery about the origin of things. We are all part of creation, all kings, all poets, all musicians; we have only to open up, only to discover what is already there.

History progresses not by negation and the negation of negation, but by deciding problems and affirming differences. It is no less bloody and cruel as a result. Only the shadows of history live by negation...

[Spinoza] denounces all the falsifications of life, all the values in the name of which we disparage life. We do not live, we only lead a semblance of life; we can only think of how to keep from dying, and our whole life is a death worship.

We have pushed a process into a goal. The aim of any process is not the perpetuation of that process, but the completion thereof....

Laughter has the remarkable power of making an object come up close, of drawing it into a zone of crude contact with the reality where one can finger it familiarly on all sides, turn it upside down, inside out, peer at it from above and bellow, break open its external shell, look into its center, doubt it, take it apart, dismember it, lay it bare and expose it, examine it freely and experiment with it. Laughter demolishes fear and piety, before an object, before a world, making of it an object of familiar contact and thus clearing the ground for an absolutely free investigation of it. . . . Familiarization of the world through laughter and popular speech is an extremely important and indispensable step in making free, scientifically knowable and artistically realistic creativity in European civilization.

To be pressured by meaning signifies that one must appear as if carried away by what one is meant to carry.

This perfect democracy fabricates its own inconceivable enemy, terrorism. It wants, actually, to be judged by its enemies rather than by its results. The history of terrorism is written by the State and it is thus instructive. The spectating populations must certainly never know everything about terrorism, but they must always know enough to convince them that, compared with terrorism, everything else seems rather acceptable, in any case more rational and democratic.

Once it attains the stage of the integrated spectacular, self-proclaimed democratic society seems to be generally accepted as the realization of a fragile perfection. So that it must no longer be exposed to attacks, being fragile; and indeed is no longer attackable, being perfect, which no other society has been. It is a fragile society because it has great difficulty managing its dangerous technological expansion. But it is a perfect society to be governed; and the proof is that all those who aspire to govern want to govern this one, in the same way, maintaining it almost exactly as it is. For the first time in contemporary Europe, no party or fraction of a party even tries to pretend that they wish to change something important. The commodity can no longer be criticized by anyone: as a general system or even as the particular forms of junk which heads of industry choose to put on the market at any given time.

Wherever the spectacle rules, the only organized forces are those that want the spectacle. No one can any longer be the enemy of what exists, nor transgress the omerta that concerns everything. We have finished with that disturbing conception, which was dominant for over two hundred years, according to which society was criticizable or transformable, reformed or revolutionized. And this has not been obtained by the appearance of new arguments, but quite simply because all argument has become useless. From this result we can measure not universal happiness, but the redoubtable strength of the networks of tyranny.

Never has censorship been more perfect. Never has the opinion of those who are still led to believe, in several countries, that they remain free citizens, been less authorized to make themselves known, whenever it is a matter of choices affecting their real lives. Never has it been possible to lie to them with a perfect absence of consequences. The spectator is simply supposed to know nothing, and deserve nothing. Those who are always watching to see what happens next will never act: such must be the spectator's condition. People often cite the United States as an exception because there Nixon came to an end due to a series of denials whose clumsiness was too cynical: but this entirely local exception, for which there were some old historical causes, clearly no longer holds true, since Reagan has recently been able to do the same thing with impunity. All that is never sanctioned is veritably permitted. Talk of scandal is thus archaic. The most profound summing up of the period that the whole world entered shortly after Italy and the United States can be found in the words of a senior Italian statesman, a member, simultaneously, of both the official government and the parallel government called P2, Potere Due: "Once there were scandals, but not any more."

When the spectacle stops talking about something for three days, it is as if it did not exist. For it has then gone on to talk about something else, and it is that which henceforth, in short, exists. The practical consequences, as we see, are enormous.

Sengcan: I am riddled with sickness. Please absolve me of my sin.
Huike: Bring your sin here and I will absolve you.
Sengcan (after a long pause): When I look for my sin, I cannot find it.
Huike: I have absolved you. You should live by the Buddha, the Dharma, and the Sangha.

What to say of today’s world? A solitary power whose army is terrorizing the entire planet dictates its law of the circulation of capital and images and proclaims everywhere, with the most extreme violence, the Duties and Rights of everyone. Behind it run valets and rivals, Europeans, Russians, Chinese… Often disagreeing on means, they never cease testifying to their basic agreement. Because they have no other idea of how to give value to the world.

Under the imposed name of “terrorism,” those most violently opposed to this hegemony of the brutal West, for which “democracy” is spiritual ornament, are in reality part of it. Some nihilist criminals killed at random thousands of inhabitants of New York. This mass crime is evidently an avatar of a contemporary pathology. It is a cold mise en scène of a hackneyed motif: the fury of inspired barbarism against sated imperialism. The American army and the “terrorists” replay the old and bloody historical scene of civilization encircled by brutes. It’s enough to remind us of Rome: a solitary power, which in its own eyes incarnates civilization, disposes art in two directions. On the one hand, a sort of flashy celebration of its own power, a morbid and repetitive drunkenness, proposed to the people as an opiate for its passivity. These are circus games, of which today professional sports and the culture industry, be it musical or filmic, give us the exact equivalent. This kind of entertainment works on a grand scale. To the names of victim and gladiator correspond today the commerce of colossal media budgets and doping in sports. This art is the art of pomp which makes of the funereal power of the Empire the material of games and fictions increasingly more allegorical and bombastic. The natural hero of this art is the Killer, the torturing serial killer. In short, the perverse gladiator.

In the other direction, a meager sophistication, itself finely wrought through a kind of formalist excess, tries to oppose to pompous massiveness the unctuous discernment and subtle perversity of people who can, without suffering too much from it, pretend to retire from general circulation. This art is Romantically morose: it expresses impotence and portrays it as nihilistic delectation. It freely reclaims great forests, eternal snowfalls, softened bodies through a native or oriental wisdom. But this art is all the while bound up with the twilight of pompous art, like the pairing of circus horns with Martial’s deliciously obscene epigrams. Or the flamboyant rhetoric of the generals with the ascetic sermon of the Christians in catacombs.

Can one, however, deny that in the abstract a new phase of capitalism to follow imperialism, namely, a phase of ultra-imperialism, is "thinkable"? No. In the abstract one can think of such a phase. In practice, however, he who denies the sharp tasks of to-day in the name of dreams about soft tasks of the future becomes an opportunist. Theoretically it means to fail to base oneself on the developments now going on in real life, to detach oneself from them in the name of dreams. There is no doubt that the development is going in the direction of a single world trust that will swallow up all enterprises and all states without exception. But the development in this direction is proceeding under such stress, with such a tempo, with such contradictions, conflicts, and convulsions-not only economical, but also political, national, etc., etc.-that before a single world trust will be reached, before the respective national finance capitals will have formed a world union of "ultra-imperialism," imperialism will inevitably explode, capitalism will turn into its opposite.

December, 1915.

Since Robinson Crusoe’s experiences are a favourite theme with political economists, let us take a look at him on his island. Moderate though he be, yet some few wants he has to satisfy, and must therefore do a little useful work of various sorts, such as making tools and furniture, taming goats, fishing and hunting. Of his prayers and the like we take no account, since they are a source of pleasure to him, and he looks upon them as so much recreation. In spite of the variety of his work, he knows that his labour, whatever its form, is but the activity of one and the same Robinson, and consequently, that it consists of nothing but different modes of human labour. Necessity itself compels him to apportion his time accurately between his different kinds of work. Whether one kind occupies a greater space in his general activity than another, depends on the difficulties, greater or less as the case may be, to be overcome in attaining the useful effect aimed at. This our friend Robinson soon learns by experience, and having rescued a watch, ledger, and pen and ink from the wreck, commences, like a true-born Briton, to keep a set of books. His stock-book contains a list of the objects of utility that belong to him, of the operations necessary for their production; and lastly, of the labour time that definite quantities of those objects have, on an average, cost him. All the relations between Robinson and the objects that form this wealth of his own creation, are here so simple and clear as to be intelligible without exertion, even to Mr. Sedley Taylor. And yet those relations contain all that is essential to the determination of value.

Today, after so many capitalist victories, after socialist hopes have withered in disillusionment, and after capitalist violence against labor has been solidified under the name of ultra-liberalism, why is it that instances of militancy still arise, why have resistances deepened, and why does struggle continually reemerge with new vigor? We should say right away that this new militancy does not simply repeat the organizational formulas of the old revolutionary working class. Today the militant cannot even pretend to be a representative, even of the fundamental human needs of the exploited. Revolutionary political militancy today, on the contrary, must rediscover what has always been its proper form: not representational but constituent activity. Militancy today is a positive, constructive, and innovative activity. This is the form in which we and all those who revolt against the rule of capital recognize ourselves as militants today. Militants resist imperial command in a creative way. In other words, resistance is linked immediately with a constitutive investment in the biopolitical realm and to the formation of cooperative apparatuses of production and community. Here is the strong novelty of militancy today: it repeats the virtues of insurrectional action of two hundred years of subversive experience, but at the same time it is linked to a new world, a world that knows no outside. It knows only an inside, a vital and ineluctable participation in the set of social structures, with no possibility of transcending them. This inside is the productive cooperation of mass intellectuality and affective networks, the productivity of postmodern biopolitics. This militancy makes resistance into counterpower and makes rebellion into a project of love.

There is an ancient legend that might serve to illuminate the future life of communist militancy: that of Saint Francis of Assisi. Consider his work. To denounce the poverty of the multitude he adopted that common condition and discovered there the ontological power of a new society. The communist militant does the same, identifying in the common condition of the multitude its enormous wealth. Francis in opposition to nascent capitalism refused every instrumental discipline, and in opposition to the mortification of the flesh (in poverty and in the constituted order) he posed a joyous life, including all of being and nature, the animals, sister moon, brother sun, the birds of the field, the poor and exploited humans, together against the will of power and corruption. Once again in postmodernity we find ourselves in Francis’s situation, posing against the misery of power the joy of being. This is a revolution that no power will control—because biopower and communism, cooperation and revolution remain together, in love, simplicity, and also innocence. This is the irrepressible lightness and joy of being communist.

The charges against Communism made from a religious, a philosophical and, generally, from an ideological standpoint, are not deserving of serious examination.

What the bourgeoisie therefore produces, above all, are its own grave-diggers.

If it is true that the state as we know it is the instrument of a class, we may assume that it “will wither away” with the disappearance of classes. But Lenin carefully points out “it has never entered the head of any socialist to ‘promise’ that the higher phase of development of Communism will arrive.” This means that Marxism, rather than an affirmation of a future that is necessary, is much more a judgment of the present as contradictory and intolerable. It operates in the tangle of the present and with the means of action offered by the present…

Marxism has nothing in common with the joyful cynicism of “at all costs.” First of all, it should be observed that the categories of “ends” and “means” are entirely alien to Marxism. An end is a result to come which one proposes for oneself and seeks to realize. It ought to be superfluous to recall that Marxism very consciously distinguishes itself from utopianism by defining revolutionary action not as the adoption of a certain number of ends through reasoning and will, but as the simple extrapolation of a praxis already at work in history, of a reality that is already committed, namely, the proletariat. It is not a question of representing a “society of the future.” Rather than the awareness of a goal, there is the espousal of an impossibility, in which the present world is grasped in contradiction and decomposition; rather than a fantastic conception of paradise on earth, there is the patient analysis of past and present history as a class strugle; and finally there is the creative decision to pass beyond this chaos through the universal class which will relay the foundations of human history. Revolutionary action can acquire a perspective by drawing out the lines of proletarian development into the future. But Marxists patently refuse to assume “ends”; none of them, says Lenin, can “promise” the last phase of communism - because one can only validly think what one has in some way lived, the rest being nothing but imagination.

There isn't the slightest operation, the slightest industrial or financial mechanism that does not reveal the dementia of the capitalist machine and the pathological character of its rationality

The more detached one is from a role, the easier it becomes to turn it against the enemy. The more effectively one avoids the weight of things, the easier it is to achieve lightness of movement. Comrades care little for forms. They argue openly, confident in the knowledge that they cannot inflict wounds on each other. Where communication is genuinely sought, misunderstandings are no crime. But if you accost me armed to the teeth, understanding agreement only in terms of a victory for you, then you will get nothing out of me but an evasive pose, and a formal silence intended to indicate that the discussion is closed. For interchange on the basis of contending roles is useless a priori. Only the enemy wants to fight on the terrain of roles, according to the rules of the spectacle.

We have an expression, millet plus rifles. In the case of the United States, it is planes plus the A-bomb. However, if the United States with its planes plus the A-bomb is to launch a war of aggression against China, then China with its millet plus rifles is sure to emerge the victor. The people of the whole world will support us. As a result of World War I, the tsar, the landlords and the capitalists in Russia were wiped out; as a result of World War II, Chiang Kai-shek and the landlords were overthrown in China and the East European countries and a number of countries in Asia were liberated. Should the United States launch a third world war and supposing it lasted eight or ten years, the result would be the elimination of the ruling classes in the United States, Britain and the other accomplice countries and the transformation of most of the world into countries led by Communist Parties. World wars end not in favour of the warmongers but in favour of the Communist Parties and the revolutionary people in all lands. If the warmongers are to make war, then they mustn't blame us for making revolution or engaging in "subversive activities", as they keep saying all the time. If they desist from war, they can survive a little longer on this earth. But the sooner they make war, the sooner they will be wiped from the face of the earth.

Contrary to metaphysics, dialectics holds that internal contradictions are inherent in all things and phenomena of nature, for they all have their negative and positive sides, a past and a future, something dying away and something developing; and that the struggle between these opposites, the struggle between the old and the new, between that which is dying away and that which is being born, between that which is disappearing and that which is developing, constitutes the internal content of the process of development, the internal content of the transformation of quantitative changes into qualitative changes.

There is infinite hope but not for us.

Firstly, because men are not free to choose one mode of production or another, because as every new generation enters life it finds productive forces and relations of production already existing as the result of the work of former generations, owing to which it is obliged at first to accept and adapt itself to everything it finds ready-made in the sphere of production in order to be able to produce material values.

Secondly, because, when improving one instrument of production or another, one clement of the productive forces or another, men do not realize, do not understand or stop to reflect what social results these improvements will lead to, but only think of their everyday interests, of lightening their labor and of securing some direct and tangible advantage for themselves.

When, gradually and gropingly, certain members of primitive communal society passed from the use of stone tools to the use of iron tools, they, of course, did not know and did not stop to reflect what social results this innovation would lead to; they did not understand or realize that the change to metal tools meant a revolution in production, that it would in the long run lead to the slave system. They simply wanted to lighten their labor and secure an immediate and tangible advantage; their conscious activity was confined within the narrow bounds of this everyday personal interest.

[...]

Up to a certain period the development of the productive forces and the changes in the realm of the relations of production proceed spontaneously independently of the will of men. But that is so only up to a certain moment, until the new and developing productive forces have reached a proper state of maturity After the new productive forces have matured, the existing relations of production and their upholders – the ruling classes – become that "insuperable" obstacle which can only be removed by the conscious action of the new classes, by the forcible acts of these classes, by revolution. Here there stands out in bold relief the tremendous role of new social ideas, of new political institutions, of a new political power, whose mission it is to abolish by force the old relations of production. Out of the conflict between the new productive forces and the old relations of production, out of the new economic demands of society, there arise new social ideas; the new ideas organize and mobilize the masses; the masses become welded into a new political army, create a new revolutionary power, and make use of it to abolish by force the old system of relations of production, and to firmly establish the new system. The spontaneous process of development yields place to the conscious actions of men, peaceful development to violent upheaval, evolution to revolution.

The second feature of production is that its changes and development always begin with changes and development of the productive forces, and in the first place, with changes and development of the instruments of production. Productive forces are therefore the most mobile and revolutionary element of productions. First the productive forces of society change and develop, and then, depending on these changes and in conformity with them, men's relations of production, their economic relations, change. This, however, does not mean that the relations of production do not influence the development of the productive forces and that the latter are not dependent on the former. While their development is dependent on the development of the productive forces, the relations of production in their turn react upon the development of the productive forces, accelerating or retarding it. In this connection it should be noted that the relations of production cannot for too long a time lag behind and be in a state of contradiction to the growth of the productive forces, inasmuch as the productive forces can develop in full measure only when the relations of production correspond to the character, the state of the productive forces and allow full scope for their development. Therefore, however much the relations of production may lag behind the development of the productive forces, they must, sooner or later, come into correspondence with – and actually do come into correspondence with – the level of development of the productive forces, the character of the productive forces. Otherwise we would have a fundamental violation of the unity of the productive forces and the relations of production within the system of production, a disruption of production as a whole, a crisis of production, a destruction of productive forces.

If historical science is to be a real science, it can no longer reduce the history of social development to the actions of kings and generals, to the actions of "conquerors" and "subjugators" of states, but must above all devote itself to the history of the producers of material values, the history of the laboring masses, the history of peoples.

It is impossible to separate thought from matter that thinks. Matter is the subject of all changes.

We must not base our orientation on the strata of society which are no longer developing, even though they at present constitute the predominant force, but on those strata which are developing and have a future before them[.]

I was seeking a soul resembling mine, and I could not find it. I searched throughout the seven seas; my perseverance proved of no use. Yet I could not remain alone. I needed someone who'd approve of my nature; there had to be somebody out there with the same ideas as me. It was morning; the sun rose over the horizon, in all its splendour, and here rises before my eyes a young man as well, whose presence made flowers sprout in his wake. He approached me, and holding out his hand: "I have come to you who seek me. God bless this happy day." But I replied: "Begone! I never summoned you. I don't need your companionship..." It was evening; night was already drawing the darkness of her veil over nature. A beautiful woman, whose form I could barely make out, was also drawing the influence of her enchantment over me. She looked upon me with compassion, however she dared not speak to me. So I said: "Come closer, so I may see your face clearly, for at this distance the starlight is too faint for me to make out its features." Then, modestly, with her eyes lowered, she glided across the lawn's grass, coming to my side. As soon as I saw her: "I see that goodness and justice have found a home in your heart: we could never live together. You are now admiring my beauty, which has overwhelmed many a woman, but sooner or later, you'll regret ever having given your love to me, for you do not know my soul. Not that I would ever be unfaithful to you: to she who bares her heart to me with such abandon and trust, I bare mine back with equal trust and abandon, but get it into your head lest you ever forget it: Wolves and lambs look not on one another with bedroom eyes." So what was I waiting for, I who rejected in such disgust what was most beautiful in humanity! What I was waiting for, I really couldn't tell you. I haven't yet gotten into the habit of keeping a daily record of the phenomena that occur within my psyche, according to the practice recommended by philosophy. I sat on a cliff, by the sea. A ship had just set full sail to escape these waters: a minute speck had just appeared at the horizon, making gradual headway, driven on by gusts, and growing more powerful by the minute. The storm was about to swoop down on us, and already the sky was growing dark, overcast in a black almost as hideous as the human heart. The vessel, which was a great warship, had just cast all her anchors, in fear of being swept against the rocky coast. The wind roared with rage from all four points of the compass, tearing the sails to shreds. Crashes of thunder burst out amid flashes of lightning and could not drown out the sound of wailing to be heard from this house with no foundations, this teetering sepulcher. The rolling of these aqueous masses had not yet managed to shatter the anchor's chains, however their buffeting had opened up a way into the ship's ribs: a gaping breach, for the pumps could no longer bail out the masses of salt water beating down on the bridge like mountains of foam. The ship in distress fires her canons to sound the alarm; but she sinks, slowly... majestically. He who has never watched a ship sinking in the midst of a storm, with intermittent flashes of lightning between the deepest periods of darkness, while those on board are overwhelmed with that despair you know so well, knows nothing of life's ups and downs. Finally, a universal shriek of utter distress bursts from within the bowels of the ship, whilst the sea intensifies her fearsome onslaughts. It is that cry one hears when the limits of human capacity give in: we wrap ourselves up in the cloak of despair and leave our fate in the hands of God. We flock together like cornered sheep. The ship in distress fires her canons to sound the alarm; but she sinks, slowly... majestically. They've had the pumps running all day now. Futile efforts. Night has come, pitch-black and merciless, bringing the delightful show to its climax. Each soul onboard realizes that, once in the water, he won't be able to breathe, for, as far back as he can remember, he knows of no fish in his family tree; nevertheless he struggles to hold his breath for as long as possible, if only to prolong his life for another two or three seconds: that is the vengeful irony he aims at death... The ship in distress fires her canons to sound the alarm; but she sinks, slowly... majestically. He doesn't know that the ship, as it goes under, sets the ocean swells twisting and turning in a powerful circular motion, stirring up the benthonic mires into the turbid waters, and that a force from below, in counterattack to the tempest wreaking havoc above, drives the element to violent, jolting motions. Thus, despite the stores of courage he mustered in advance, the drowned-to-be, on second thought, ought to be delighted if he can prolong his life, swirling in the vortices of the abyss, even by the space of half a normal breath, for good measure. He will fail in his supreme desire to cheat death. The ship in distress fires her canons to sound the alarm; but she sinks, slowly... majestically. No wait, there's been a mistake. She's no longer firing, she's no longer sinking. The cockleshell is now completely engulfed! Good heavens! How could I continue to live, after experiencing such exquisite pleasures! I had just been granted the chance to witness the death agonies of many a fellow man. Minute by minute, I followed the episodes of their anguish. Now, the feature presentation was the bellowing of some old lady, brought to hysterics by fear. Now, the squeals of a suckling infant were drowning out the nautical orders. The ship was too distant for me to clearly perceive the groans brought on by blasts of wind, but through sheer willpower I zoomed in on it, and the optical illusion was complete. Every quarter of an hour, when a particularly stronger gust of wind, sounding its gloomy tones amid the cries of the terrified storm petrels, would break open the ship in another lengthwise crack, increasing the laments of those about to be offered as sacrifices to death, I would dig a sharp metal point deeper into my cheek and secretly think: "They are suffering still more!" At least this gave me grounds for comparison. From the shore, I shouted at them, hurling violent curses and threats. I felt that they could hear me! I could feel that my hatred and raving, soaring over the distances, were breaking the physical laws of sound and falling loud and clear onto their ears, deafened by the wrathful ocean's roars! I felt they ought to be thinking of me, unleashing their vengeance in impotent rage! Every now and then I would cast a glance up at the cities, sounds asleep on dry land, and seeing that nobody suspected a ship to be sinking a few miles from the shore, with birds of prey for a crown and empty-bellied creatures of the deep for a pedestal, I took courage, and regained hope: I could now be sure of their demise! There was no escape! Through an excess of precaution, I had gone fetch my double-barrelled shotgun, so that, should some survivor be tempted to swim up to the rocks to escape impending death, a bullet in the shoulder would shatter his arm, thus thwarting his plan. Just when the tempest was at its fiercest, I saw, at the surface, desperately struggling to keep afloat, a frenetic head, with hair standing on end. He was swallowing gallons of water and was tossed back into the briny deep, bobbing like a piece of cork. But in no time he surfaced again, mane dripping wet, and, eyes focused on the shore, he seemed to defy death. What admirable composure! On his brave and noble face, he bore a deep and gory wound, gashed open by the jagged point of some hidden reef. He must have been sixteen at the oldest, for you could just barely see, by the lightning flashes that lit up the night, the peach fuzz on his lip. And now he was no more than two hundred yards from the cliff, and I was getting a clear view of him. What courage! What indomitable spirit! How his steady head seemed to flout at fate, as he vigorously cleaved through the waves, prying open the grooves before him with effort!... I had made up my mind beforehand. I owed it to myself to keep my promise: the final hour had tolled for all; there could be no exceptions. That was my resolution, and nothing could change it... A sharp blast echoed, and the head sank right under, never to be seen again. From this murder I did not take as much pleasure as you might imagine, and precisely because I had already done more than my share of killing in life, I was doing it now only from sheer habit, so hard to break, and providing only mild enjoyment. Conscience becomes dulled, calloused. What pleasure could I feel at the death of this human being, when more than a hundred were about to present me with the spectacle of their final struggles against the waves, once the ship had been submerged? With this death, not even the thrill of danger aroused me, for human justice, cradled by the night's ghastly storm, was slumbering in the cottages a few steps from me. Now that the years hang heavy on my shoulders, I can speak this supreme and solemn truth with sincerity: I was never as cruel as it was later said among men, however sometimes their persistent spitefulness went on devastating for years on end. There was then no limits to my fury; I was possessed by fits of cruelty: my wild eyes would strike terror in anyone who dared come close enough to see them, provided they be of my race. If it was a horse or a dog, I would let it go by: did you head what I just said? Unfortunately, on the night of the storm, I was seized by one of my fits of wrath, my reason having abandoned me (for normally I would be just as cruel, only more discreet), and everything falling into my hands on that night had to perish. I am not saying this justifies my misdeeds. My fellow men are not the only ones to blame. I am merely making a statement of fact, as I await the last judgment, which makes me feel my throat constrict in anticipation... What do I care about the last judgment? My reason never abandons me, as I had claimed just to mislead you. And when I commit a murder, I know full well what I am doing: what else would I be wanting to do? Standing on the cliff, as the tempest flailed at my hair and trench coat, I ecstatically watched the full might of the thunderstorm relentlessly hammering at the ship under a starless sky. In a triumphant pose, I followed all the twists and turns of this drama, from the instant the vessel threw her anchors, until the moment she was swallowed up within that final shroud, that cloak which dragged everybody wrapped in it down into the bowels of the sea. But the cue for me to make my entrance in these scenes of nature in tumult was approaching. When the place where the ship had been struggling clearly showed that she had gone spend the rest of her days on the oceanic floor, then, some of those who had been carried off by the waves reappeared on the surface. They seized and grappled each other around the waist, in twos, in threes; this was the way not to save their lives, for their movements became hampered, and they went down like dumbbells... What is this horde of sea monsters ploughing through the waves at top speed? There are six of them, with sturdy fins that cut a passage through the heaving seas. Exercising the privileges of their higher rank on the food chain, the sharks soon make a great eggless omelette of all these wiggling human arms and legs on this far from dry continent. Blood mingles with the waters, and the waters mingle with blood. Their fierce eyes light up the bloodbath... But what is that other tumult of the waves, yonder, on the horizon? It looks like a waterspout coming this way! What strokes! Now I see what it is. An enormous female shark has come to partake of duck liver pâté and to eat cold stew meat. She is furious, for she arrives ravenous. A battle ensues between her and the sharks, to fight over the few palpitating limbs still dumbly floating here and there on the surface of the crimson cream. Left and right she snaps her jaws, delivering many a fatal wound. But three surviving sharks surround her, and she is forced to twist and turn in all directions to outmanoeuvre them. With an increasing emotion unbeknownst until now, the one-man audience follows this new kind of naval battle from his seat at the shore. His gaze is fastened on this courageous female shark, with jaws so mighty. He grits his teeth, raises his rifle, and, skilful as ever, he lodges his second bullet in the gill slit of one of the sharks, just as it rears its head above a wave. Two sharks remain, both showing even greater ferocity. From the top of the rock, the man with the briny saliva flings himself into the sea and swims towards the pleasantly coloured carpet, gripping his trusty steel knife. From now on the sharks each have one enemy to deal with. He closes in on his weary adversary, and, taking his time, buries his sharp blade in its belly. Meanwhile, the nimble-finned citadel easily disposes of the last opponent... Now the swimmer and the female shark saved by him confront each other. For minutes they stare fixedly into each other's eyes. They swim circling, keeping each other in sight, and each thinking: "I was wrong all along. Here is one more evil than I." Then in unison they glided underwater towards each other, in mutual admiration, the female shark slitting open the waves with her fins, Maldoror's arms thrashing the water; and they held their breaths, in deepest reverence, each one anxious to gaze for the first time upon his living image. Effortlessly, at only three yards apart, they suddenly fell upon one another like two magnets, in an embrace of dignity and gratitude, clasping each other tenderly as brother and sister. Carnal desire soon followed this display of affection. Like two leeches, a pair of nervous thighs gripped tightly against the monster's viscous flesh, and arms and fins wrapped around the objects of their desire, surrounding their bodies with love, while their breasts and bellies soon fused into one bluish-green mass reeking of sea-wrack, in the midst of the tempest still raging by the light of lightning; with the foamy waves for a wedding bed, borne on an undersea current as if in a cradle, rolling and rolling down into the bottomless ocean depths, they came together in a long, chaste, and hideous mating!... At last I had found somebody who was like me!... From now on I was no longer alone in life!... Her ideas were the same as mine!... I was face to face with my first love!

Since there can be no talk of an independent ideology being developed by the masses of the workers in the process of their movement the only choice is: either bourgeois or socialist ideology. There is no middle course (for humanity has not created a “third” ideology, and, moreover, in a society torn by class antagonism there can never be a non-class or above-class ideology). Hence, to belittle socialst ideology in any way, to deviate from it in the slightest degree means strengthening bourgeois ideology

A class must be formed that has radical chains, a class in civil society which is not of civil society, a class which is the dissolution of all classes, a sphere of society which has a universal character because its sufferings are universal…, which is, in short, a total loss of humanity and which can only redeem itself by a total redemption of humanity. This dissolution of society, as a particular class, is the proletariat

In a proper revolutionary breakthrough, the utopian future is neither simply fully realized, present, nor simply evoked as a distant promise which justified present violence — it is rather as if, in a unique suspension of temporality, in the short-circuit between the present and the future, we are — as if by Grace — for a brief time allowed to act AS IF the utopian future is (not yet fully here, but) already at hand, just there to be grabbed. Revolution is not experienced as a present hardship we have to endure for the happiness and freedom of the future generations, but as the present hardship over which this future happiness and freedom already cast their shadow — in it, we ALREADY ARE FREE WHILE FIGHTING FOR FREEDOM, we ALREADY ARE HAPPY WHILE FIGHTING FOR HAPPINESS, no matter how difficult the circumstances. Revolution is not a Merleau-Pontyan wager, an act suspended in the futur anterieur, to be legitimized or delegitimized by the long term outcome of the present acts; it is as it were ITS OWN ONTOLOGICAL PROOF, an immediate index of its own truth.

The ultimate answer to the reproach that the radical Left proposals are utopian should thus be that, today, the true utopia is the belief that the present liberal-democratic capitalist consensus could go on indefinitely, without radical changes. We are thus back at the old ‘68 motto “Soyons realistes, demandons l'impossible!": in order to be truly a “realist,” one must consider breaking out of the constraints of what appears “possible” (or, as we usually out it, “feasible”).

Capitalism is not just a historical epoch among others — in a way, the once fashionable and today forgotten Francis Fukuyama WAS right, global capitalism IS “the end of history.” A certain excess which was as it were kept under check in previous history, perceived as a localizable perversion, as an excess, a deviation, is in capitalism elevated into the very principle of social life, in the speculative movement of money begetting more money, of a system which can survive only by constantly revolutionizing its own conditions, that is to say, in which the thing can only survive as its own excess, constantly exceeding its own “normal” constraints.

[It] is a purely didactic difference between form and content to see the material powers as content and the ideology as form...[because] the material force cannot be understood historically without form and the ideologies would, without the material force, remain the whims of individuals.

The aim of theory is not to raise our intellectual or academic reputation, but to open possibilities to understand the historical world and its processes, to gain directions for our praxis, and to change it if necessary.

One of the hardest lessons we had to learn was that revolutionary struggle is more scientific than emotional. I don't say we shouldn't feel anything, but decisions cannot be based upon love or hate. They have to be based upon objective circumstances and aim at what is rationally and unemotionally necessary.

You too can be rich. You too can be Michael Jordan. You too can be any of the wealthy black people running around not doing shit.

this first moment of world-reduction, of the destruction of the idols and the sweeping away of an old world in violence and pain, is itself the precondition for the reconstruction of something else. A first moment of absolute immanence is necessary, the blank slate of absolute peasant immanence or ignorance, before new and undreamed-of-sensations and feelings can come into being.

I don't know how radical you are or how radical I am. I am certainly not radical enough; that is, one must always try to be as radical as reality itself.

The task of Communists is to expose the fallacies of the reactionaries and metaphysicians, to propagate the dialectics inherent in things, and so accelerate the transformation of things and achieve the goal of revolution.

Well, Zizek said, populism is inherently reformist, if not to say reactionary. Its fundamental fantasy is of an Intruder, or more usually a group of intruders, who have corrupted the system. Hence the problem is never the system, capitalism, but the oligarchy, this particular, lazy, exploitative bunch who happen to have control now. Once They are removed, everything will be alright... Hence populism always frame its project in terms of a series of demands addressed to the ruling elite. Antagonism is defused into a craving for recognition.

[...]

The error here is not simply the illusion that 'this particular leadership' are the problem, it is the idea that capitalism has any sort of leadership at all. The administrators' washing of hands which they claim are always tied is not merely an act of self-exculpation; it really is the case that they are the slaves of the remorseless machine of Capital. No-one driving.

An IRA man in a balaclava is at the gates of heaven when St Peter comes to him and says, 'I'm afraid I can't let you in'. 'Who wants to get in?' the IRA man retorts. 'You've got twenty minutes to get the fuck out.'

Myth: Amerikan consumer debt is piling up.

Under capitalism, debt is actually a sign of the ability to pay as recognized by banks. Wealthier people have more debts. What is important is the net worth and physical standard of living. Even if credit card companies do make more money than ever, it does not prove anything unless the physical living standard, consumption of actual commodities declines and there is no proof of that.

Anxieties concerning debt are real, but most such concerns are bourgeois anxieties, the same ones Donald Trump has to have. Third World debts are smaller relatively speaking, but have a real effect on real proletarians.

In the Nazi worldview the superior being was a predator. This supposed recognition of "Nature's laws" is just capitalist culture with a biological wrapper. In life it isn't true. The lofty eagle isn't any more successful than mom sparrow. If anything, less so. If survival and dominance were everything, cockroaches might get olympic gold. Ecology is endless diversity, unending change, and development and interdependency of life forms that is complex beyond Man the Manager.

Political liberalism is pressed into service when a contradiction between oppressor and oppressed starts to percolate. If the contradiction itself is not too fundamental and the percolation has only just begun, then liberalism can maybe handle it. “Handling” here means doing just enough to simmer the percolation so the lid stays put while fending off those who might turn up the heat, and in the end doing nothing much of anything at all to change the oppressor-oppressed relationship. To this end, for instance, liberalism is equipped to, say, talk a good game while doing nothing. It’s that kind of oppressor’s tool.

I can think of no street in America, or of people inhabiting such a street, capable of leading one on towards the discovery of the self. I have walked the streets in many countris of the world but nowhere have I felt so degraded and humiliated as in America. I think of all the streets in American combined as forming a huge cesspool, a cesspool of the spirit in which everything is sucked down and drained away to everlasting shit. Over this cesspool the spirit of work weave a magic wand; palaces and factories spring up side by side, and munition plants and chemical works and steel mills and sanatoriums and prisons and insane asylums. The whole continent is a nightmare producing the greatest misery of the greatest number. I was one, a single entity in the midst of the greatest jamboree of wealth and happiness (statistical wealth, statistical happiness) but I never met a man who was truly wealthy or truly happy. [...] I am the evil product of an evil soil.

The crisis consists precisely in the fact that the old is dying and the new cannot yet be born; in this interregnum a great variety of morbid systems appears.

Grassy seat. – The relationship to parents is undergoing a sad, shadowy change. They have lost their awe through their economic powerlessness. Once we rebelled against their insistence on the reality principle, the sobriety which was always ready to recoil into the rage against those who do not renounce. Today however we find ourselves facing a presumably younger generation, which is in every one of its impulses unbearably more grown up than the parents ever were; which has renounced, before things ever came to a conflict, and which derives their authority from that, implacably authoritarian and unshakeable. Perhaps one always experienced the parental generation as harmless and disempowered, once the latter’s physical energy subsided, while one’s own generation seemed to be threatened by youth: in the antagonistic society, the relationship of the generations is also one of competition, behind which stands naked violence. Today however things are regressing to a condition which does not know the Oedipus complex, but only the slaying of the father. One of the most telling symbolic atrocities of the Nazis was the killing of the extremely old. Such a climate produces a belated and rueful understanding with one’s parents, similar to the one between condemned prisoners, disturbed only by the fear that we, ourselves powerless, may not be able to care for them some day as they cared for us, when they owned something. The violence which is inflicted on them makes us forget the violence they committed. Even their rationalizations, the once-hated lies with which they sought to justify their particular interest as the general one, show an inkling of the truth, the urge towards the reconciliation of conflicts, which the upbeat successor generation happily denies. Even the faded, inconsequential and self-doubting Spirit [Geist] of the elders is more approachable than the quick-witted stupidity of junior. Even the neurotic peculiarities and malformations of the older adults represent character, that which is humanly achieved, compared with pathic health, infantilism raised to a norm. One realizes in horror that when one previously clashed with one’s parents, because they represented the world, one was secretly the mouthpiece of a still worse world against the merely bad. Unpolitical attempts to break out of the bourgeois family usually only lead to deeper entanglement in such, and sometimes it seems as if the disastrous germ-cell of society, the family, is simultaneously the nourishing germ-cell of the uncompromising will for a different one. What disintegrates, along with the family – so long as the system continues – is not just the most effective agency of the bourgeoisie, but also the resistance which indeed oppressed the individual, but also strengthened the latter, if not indeed producing such. The end of the family cripples the counter-forces. The dawning collectivistic social order [Ordnung] is the mockery of one without class: it liquidates, along with the bourgeois, at the same time the utopia, which at one time drew nourishment from the mother’s love.

The Communist Party must be the primary incarnation of the realm of freedom; above all, the spirit of comradeliness, of true solidarity, and of self-sacrifice must govern everything it does. If it cannot achieve this, or if it does not at least exert itself seriously to put such ideals into practice, the Communist Party will no longer be distinguishable from the other parties, except by virtue of its programme. There is even the danger that this unbridgeable gulf which separates it programmatically from the opportunists and the waverers will gradually become obscured, with the result that it could soon be nothing more than the ‘extreme left wing’ of the ‘workers’ parties’. That in turn would present a further, more immediate danger (already posed in accentuated form by the rhetorical recognition of the Third International by the parties of the centre): namely, that the qualitative distinction between the communists and the other parties would degenerate into a merely quantitative one and in time even disappear altogether. The less a Communist Party puts its ideals into practice both organizationally and spiritually, the less able it will be, not only to counter effectively this widespread inclination to compromise, but also to educate the unconscious but really revolutionary elements (syndicalists, anarchists) to become true communists.

Lack of raw materials, internal struggles and organizational difficulties count as excuses in their view only for capitalist states; their line is that a proletarian social order ought to mean the internal external transformation of all conditions, an all-round improvement in the situation, from the very first moment that that order is born. Genuine revolutionaries, and above all Lenin, distinguish themselves from such petty-bourgeois utopianism by their lack of illusions. They know what can be expected, not only of an economy ruined in the World War, but also – and above all – of human beings who, under capitalism, h been spiritually corrupted and depraved and indoctrinated with egoism. However, freedom from illusions never leads the true revolutionary to lose heart or to despair; his understanding of the situation as it really is serves rather to strengthen his faith in the world-historical mission of the proletariat. This faith can never be shaken, no matter how long it takes to realize it, no matter how often it is beset by adverse circumstances. It accepts all these disruptions and obstructions, but never allows them to distract him from his goal and the indications of its imminence.

"Mexico," grabbing the young statistician's arm.
"Eh?" Roger interuppted eying a lovely looks a bit like Rita Hayworth in a one-piece floral number with straps that X across her lean back. . . .
"Mexico, I think I am hallucinating."
"Oh, really? You think you are? What are you seeing?"
"Mexico, I see . . . I see . . . . What do you mean, what am I seeing, you nit? It's what I'm hearing."
"Well, what are you hearing, then." A touch of peevishness to Roger now.
"Right now I'm hearing you, saying, 'What are you hearing, then.' And I don't like it!"
"Why not."
"Because: unpleasant as this hallucination is, I find I still much prefer it to the sound of your voice."

In a society where political factions were not wooing the other side for sexual lifestyle votes, pornography would decrease. That's another way of saying that pornography eroticizes power by creating good sex and bad sex--a basis for faction. There is no solution to pornography within imperialism, because there is no way to eliminate profits from the entertainment industry and pandering for votes in the politician business. As long as there is a possible gain from talking about good sex and bad sex, there will be entertainers and politicians taking advantage. To crush pornography requires a monolithic political will--a friendly unity that is difficult to envision right now.

The elimination of the two party system and the profit-run economy will take most of the wind out of the sails of pornography. Without sickly competitive pluralism, pornography cannot flourish. If there were not imperialist factions, the imperialists would not have bothered with Monica Lewinsky. Ultimately, we cannot expect pornography to disappear in class society. The best we can do is restrict pornography under the joint dictatorship of the proletariat of the oppressed nations, while we work on eliminating the underlying causes of political faction formation in the formation of classes. When money, state power and the various forms of power coming to bear on sex are gone, pornography may also be gone. If not we will have to keep refining our theory of the patriarchy and gender aristocracy until we get it right.

[L]earning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed. Think of the old cliché about quote the mind being an excellent servant but a terrible master.

This, like many clichés, so lame and unexciting on the surface, actually expresses a great and terrible truth. It is not the least bit coincidental that adults who commit suicide with firearms almost always shoot themselves in: the head. They shoot the terrible master. And the truth is that most of these suicides are actually dead long before they pull the trigger.

Slang is the secret language adopted by desire to express itself in the face of repression[.]

Going from success to success, until 1968 modern society was convinced it was loved. It has since had to abandon these dreams; it prefers to be feared. It knows full well that "its innocent air has gone forever."

So it is that thousands of plots in favor of the established order tangle and clash almost everywhere, as the overlap of secret networks and secret issues or activities grows ever more dense along with their rapid integration into every sector of economics, politics and culture. In all areas of social life the degree of intermingling in surveillance, disinformation and security activities gets greater and greater. The plot having thickened to the point where it is almost out in the open, each part of it now starts to interfere with, or worry, the others, for all these professional conspirators are spying on each other without really knowing why, are colliding by chance yet not identifying each other with any certainty. Who is observing whom? On whose behalf, apparently? And actually? The real influences remain hidden, and the ultimate aims can barely be suspected and almost never understood. So that while no one can be sure he is not being tricked or manipulated, it is rare for the string-puller to know he has succeeded. And in any case, to be on the winning side of manipulation does not mean that one has chosen the right strategic perspective. Tactical successes can thus lead great powers down dangerous roads.

In a certain sense the coherence of spectacular society proves revolutionaries right, since it is evident that one cannot reform the most trifling detail without taking the whole thing apart. But at the same time this coherence has eliminated every organized revolutionary tendency by eliminating those social terrains where it had more or less effectively been able to find expression: from trade unions to newspapers, towns to books. In a single movement, it has been possible to illuminate the incompetence and thoughtlessness of which this tendency was quite naturally the bearer. And on an individual level, the reigning coherence is quite capable of eliminating, or buying off such exceptions as may arise.

The real poverty of his everyday life finds its immediate, phantastic compensation in the opium of cultural commodities. In the cultural spectacle he is allotted his habitual role of the dutiful disciple. Although he is close to the production-point, access to the Sanctuary of Thought is forbidden, and he is obliged to discover "modern culture" as an admiring spectator. Art is dead, but the student is necrophiliac. He peeks at the corpse in cine-clubs and theaters, buys its fish-fingers from the cultural supermarket. Consuming unreservedly, he is in his element: he is the living proof of all the platitudes of American market research: a conspicuous consumer, complete with induced irrational preference for Brand X (Camus, for example), and irrational prejudice against Brand Y (Sartre, perhaps).

Impervious to real passions, he seeks titillation in the battles between his anaemic gods, the stars of a vacuous heaven: AIthusser -- Garaudy-Barthes -- Picard -- Lefebvre -- Levi-Strauss -- Halliday-deChardin -- Brassens... and between their rival theologies, designed like all theologies to mask the real problems by creating false ones: humanism -- existentialism -- scientism -- structuralism -- cyberneticism -- new criticism -- dialectics-of-naturism -- meta-philosophism...

He thinks he is avant-garde if he has seen the latest happening. He discovers "modernity" as fast as the market can produce its ersatz version of long outmoded (though once important) ideas; for him, every rehash is a cultural revolution. His principal concern is status, and he eagerly snaps up all the paperback editions of important and "difficult" texts with which mass culture has filled the bookstores. (If he had an atom of self-respect or lucidity, he would knock them off. But no: conspicuous consumers always pay!). Unfortunately, he cannot read, so he devours them with his gaze, and enjoys them vicariously through the gaze of his friends. He is an other-directed voyeur.

A modern economic system demands mass production of students who are not educated and have been rendered incapable of thinking. Hence the decline of the universities and the automatic nullity of the student once he enters its portals. The university has become a society for the propagation of ignorance; "high culture" has taken on the rhythm of the production line; without exception, university teachers are cretins, men who would get the bird from any audience of schoolboys.

Anyone with less than ninety per cent of their time at their disposal is a slave.

The interworld is the no-man's land of subjectivity. Its borders tremble with the fundamental cruelty of cop and rebel, oppression and the poetry of revolt. Halfway between its recuperation by the spectacle and its revolutionary use, the dreamer's extra-space-time spawns monstrous creations after the image of his own desires and that of power. The increasing poverty of daily life has turned into a sort of public amenity suitable for every kind of investigation, an open battlefield between creative spontaneity and what corrupts it. As a faithful explorer of the mind, Artaud sums up perfectly this evenly-matched struggle: "My unconscious is only mine in dreams, but are the forms I see there going to come to birth or are they some foul abortion I've spewed up? The subconscious is shaped by the premises of my interior will, but I'm not really sure who reigns there; I don't believe it's me, but rather a flood of conflicting desires which, I don't know why, think in me and do nothing but struggle endlessly for total possession over me. But I re-encounter every one of these perverse desires, whose temptations treat me with such temerity, in the preconscious - only this time all my conscious wits are about me, and although the perverse desires break in waves over me, the important thing is that I feel myself there... I feel therefore that if I travelled upstream, I ought to emerge in my preconscious at the point where I could see myself evolve and desire." Further on, Artaud says: "Peyote led me there."

The repressive unity of power is threefold: coercion, seduction and mediation. This is no more than the inversion and perversion of an equally threefold unitary project. The new society, as it develops underground, chaotically, is moving towards a total honesty - a transparency - between individuals: an honesty promoting the participation of each individual in the self-realisation of everyone else. Creativity, love and play stand in the same relation to true life as the need to eat and the need to find shelter stand in relation to survival (1). Attempts to realise oneself can only be based on creativity (2). Attempts to communicate can only be based on love (4). Attempts to participate can only be based on play (6). Separated from one another these three projects merely strengthen the repressive unity of power. Radical subjectivity is the presence - which can be seen in almost everyone - of the same desire to create a truly passionate life (3). The erotic is the spontaneous coherence fusing attempts to enrich lived experience (5).

[I]ssue-politics, partial refusal and piecemeal demands are the very thing that blocks transcendence. The worst inhumanity is never anything but a wish for emancipation that has settled for compromise and fossilized beneath the strata of successive sacrifices. Liberalism, socialism and Bolshevism have each built new prisons under the sign of liberty. The left fights for an increase in comfort within alienation, skillfully furthering this impoverished aim by evoking the barricades, the red flag and the finest revolutionary moments of the past. In this way once-radical impulses are doubly betrayed, twice renounced: first they are ossified, then dug up and used as a carrot. "Revolution" is doing pretty well everywhere: worker-priests, priest-junkies, communist generals, red potentates, trade unionists on the board of directors.... Radical chic harmonizes perfectly with a society that can sell Watney's Red Barrel beer under the slogan "The Red Revolution is Coming." Not that all this is without risk for the system. The endless caricaturing of the most deeply felt revolutionary desires can produce a backlash in the shape of a resurgence of such feelings, purified in reaction to their universal prostitution. There is no such thing as lost allusions.

O look at Napoleon's pretty children! Louis Philippe, Napoleon III, Thiers, Alphonse XIII, Hitler, Mussolini, Stalin. Franco, Salazar, Nasser, Mao, de Gaulle... ubiquitous Ubus in the four corners of the world spawning more and more cretinous miscarriages. Yesterday they still brandished their twigs of authority like Olympian thunderbolts; today the apes of power glean no more from the social scene than a little dubious respect. Certainly, the absurdity of a Franco is still lethal - no-one would dream of forgetting it - but one should always remember that the stupidity of power will be a deadlier killer than stupidity in power.

One day Monsieur Keuner was asked just what was meant by "reversal of perspective"; and he told the following story. Two brothers deeply attached to one another had a strange habit. They marked the nature of the day's events with pebbles a white one for each happy moment and a black one for each moment of misfortune or displeasure. But when, at the end of the day, they compared the contents of the jars one found only white pebbles and the other only black.

Fascinated by the persistence with which they lived the same experience differently, they both agreed to ask the advice of an old man famed for his wisdom. "You don't talk to one another enough" said the wise man, "Both of you must give the reasons for your choice, and discover its causes". From then on they did so, and soon discovered that while the first remained faithful to his white pebbles and the second to his black ones, in neither jar were there as many pebbles as before. Where there had been about thirty there were hardly more than seven or eight. After a short while they went to see the wise man again. Both looked extremely miserable. "Not so long ago," said one, "my jar was filled with pebbles the colour of the night. My despair was unbroken; I continued to live, I admit, only through the force of habit. Now I hardly ever collect more than eight pebbles, but what these eight signs of misery represent has become so intolerable that I cannot go on like this." And the other said: "Every day I piled up white pebbles.. Today there are only seven or eight, but these obsess me to the point that I cannot recall these moments of happiness without immediately wanting to relive them more intensely and, in a word, eternally. This desire torments me". The wise man smiled as he listened to them. "Excellent. Things are shaping up well. Keep at it. And one thing: whenever you can, ask yourselves why the game with the jar and the pebbles arouses so much passion in you." When the two brothers next saw the wise man it was to say "We asked ourselves the question but we could not find the answer. So we asked the whole village. You can see how much it has disturbed them. In the evening. squatting in front of their houses, whole families discuss the black and white pebbles. Only the elders and chieftains refuse to take part. They say a pebble is a pebble, and all are of equal value." The old man didn't conceal his pleasure. "Everything is developing as I foresaw. Don't worry. Soon the question will no longer be asked: it has lost its importance, and perhaps one day you will no longer believe you ever asked it." Shortly afterwards the old man's predictions were confirmed in the following way: a great joy overcame the members of the village; at the dawn of a troubled night, the rays of the sun fell upon the heads of the elders and chieftains, impaled upon the sharp-pointed stakes of the palisade.

Once the assassins of the established order lose their faith in the myth, or, in other words, in the God who legalizes their crimes, the machinery of death is turned against its devisers. Revolution was the bourgeoisie's finest invention. It is also the running noose which will help it take its leap into oblivion. It is easy to see why bourgeois thought, strung up as it is on a rope of radicalism of its own manufacture, clings with the energy of desperation to every reformist solution, to anything that can prolong its life, even though its own weight must inevitably drag it down to its doom. Fascism is in a way a consistent response to this hopeless predicament. It is like an aesthete dreaming of dragging the whole world down with him into the abyss, lucid as to the death of his class but a sophist when he announces the inevitability of universal annihilation.

It furthermore occurred to me that, basically, anarchy is in fact the only political position that is actually possible. I believe that all other political states are in fact variations or outgrowths of a basic state of anarchy; after all, when you mention the idea of anarchy to most people they will tell you what a bad idea it is because the biggest gang would just take over. Which is pretty much how I see contemporary society. We live in a badly developed anarchist situation in which the biggest gang has taken over and have declared that it is not an anarchist situation—that it is a capitalist or a communist situation.

No other problem is as important to me as a difficulty I encounter throughout the long daylight hours: how can I invent a passion, fulfill a wish or construct a dream in the daytime in the way my mind does spontaneously as I sleep? What haunts me are my unfinished actions, not the future of the human race or the state of the world in the year 2000. I could not care less about hypothetical possibilities, and the meandering abstractions of the futurologists leave me cold. If I write, it is not, as they say, "for others." I have no wish to exorcise other people's ghosts. I string words together as a way of getting out of the well of isolation, because I need others to pull me out. I write out of impatience, and with impatience. I want to live without dead time. What other people say interests me only in as much as it concerns me directly. They must use me to save themselves just as I use them to save myself. We have a common project. But it is out of the question that the project of the whole man should entail a reduction in individuality. There are no degrees in castration. The apolitical violence of the young, and its contempt for the interchangeable goods displayed in the supermarkets of culture, art and ideology, are a concrete confirmation of the fact that the individual's self-realization depends on the application of the principle of "every man for himself," though this has to be understood in collective terms--and above all in radical terms.

The fight is unfair. Words serve power better than they do men; they serve it more faithfully than most men do, and more scrupulously than the other mediations (space, time, technology...) Hypostatised transcendence always depends on language and is developed in a system of signs and symbols, such as words, dance, ritual, music, sculpture and building. When a half-completed action, suddenly obstructed, tries to continue in a form which it hopes will eventually allow it to finish and realise itself -- like a generator transforming mechanical energy into electrical energy which will be reconverted into mechanical energy by a motor miles away -- at this moment language swoops down on living experience, ties it hand and foot, robs it of its substance, abstracts it. It always has categories ready to condemn to incomprehensibility and nonsense anything which they can't contain, or summon into existence-for-power that which slumbers in nothingness because it has no place as yet in the system of Order. The repetition of familiar signs is the basis of ideology.

So to come to the jazz “mystique.” Does the hipster with his green beret, black glasses, and embouchure whisker, the band rat with her Theda Bara makeup and dirty feet in Jesus sandals, the amateur dope fiends with their adulterated marijuana, the Beat Generation, do these people represent “jazz as a way of life”? God forbid! Marx said of Bakunin that he suffered from furor aristocraticus. The hipster is the furious square. The Beat novelists and poets and their camp followers are debauched Puritans. They agree with the most hostile critics of jazz, or for that matter with the most chauvinistic slanderers of the American Negro. They just like it that way. In their utter ignorance they embrace the false image which their enemies the squares have painted.

As Charles Mingus once said to me, “We didn’t evolve the new forms of modern jazz in dirty cellars full of dope peddlers. We worked it out in people’s homes, which we didn’t call ‘pads’ either. And our families stood around and listened and approved.”

[re On the Road, Jack Kerouac]

These innocents dash madly back and forth across the country, but they aren’t even very good at hitchhiking. Any self-respecting pickpocket has been further around the pot looking for the handle than they have been from home. They are hep — jazz excites them — but the lucid, orderly lyricism of Lester Young sounds “wild, crazy, frantic, man!” and in a neighborhood Negro club, full of ship scalers and lady welders relaxing on Saturday night, they behave as if they were witnessing a jungle orgy. On the other hand, they are not in revolt against the society which has produced them. Their talk is not of either the yogi or the commissar, but of corny entertainers, ham TV programs and the advertised virtues of the latest cars. Their values are those of the most conformist members of the middle class they despise, but enormously hypertrophied. They are demoralized and unsuccessful little Babbitts. This novel should demonstrate once and for all that the hipster is the furious square.

And all the while everyone wants to breathe and no-one can breathe, and many say "We will breathe later", and most do not die, because they are already dead.

I read in Gouy's Histoire de France: "The slightest insult to the King meant immediate death". In the American Constitution: "The people are sovereign".

While the consumption of cyclical time in ancient societies was consistent with the real labor of those societies, the pseudocyclical consumption of developed economies contradicts the abstract irreversible time implicit in their system of production. Cyclical time was the really lived time of unchanging illusions. Spectacular time is the illusorily lived time of a constantly changing reality.

People who talk about revolution and class struggle without referring explicitly to everyday life, without understanding what is subversive about love and what is positive in the refusal of constraints, such people have corpses in their mouths.

Man, “the negative being who is solely to the extent that he suppresses Being,” is one with time. Man’s appropriation of his own nature is at the same time his grasp of the development of the universe. “History is itself a real part of natural history, of the transformation of nature into man” (Marx). Conversely, this “natural history” has no real existence other than through the process of human history, the only vantage point from which one can take in that historical totality (like the modern telescope whose power enables one to look back in time at the receding nebulas at the periphery of the universe). History has always existed, but not always in its historical form. The temporalization of humanity, brought about through the mediation of a society, amounts to a humanization of time. The unconscious movement of time becomes manifest and true within historical consciousness.

I cannot remember ever having taken any trouble -- no trace of struggle can be discovered in my life, I am the opposite of an heroic nature. To 'want' something, to 'strive' after something, to have a 'goal', a 'wish' in view -- I know none of this from experience. Even at this moment I look out upon my future -- a distant future! -- as upon a smooth sea: it is ruffled by no desire. I do not want in the slightest that anything should become other than it is; I do not want myself to become other than I am . . . But that is how I have always lived, I have harbored no desire. Someone who after his forty-fourth year can say he has never striven after honors, after women, after money! -- Not that I could not have had them . . .

In my own country I am in a far-off land.
I am strong but have no force or power
I win all yet remain a loser
At break of day I say goodnight
When I lie down I have a great fear of falling.

Many pale eyes were straining to look at Chagataev, trying not to close from weakness and indifference. Chagataev felt the pain of his sorrow: his nation did not need communism. His nation needed oblivion – until the wind chilled its body and slowly squandered it in space. Chagataev turned away from everyone: all his actions, all his hopes had proved senseless…Did there remain in his nation even a small soul, something he could work with in order to bring about general happiness? Or had everything there been so worn away by suffering that even imagination, the intelligence of the poor, had entirely died? Chagataev knew from childhood memory, and from his education in Moscow, that any exploitation of a human being begins with the distortion of their soul, with getting a soul so used to death that it can be subjugated; without this subjugation, a slave is not a slave. And this forced mutilation of the soul continues, growing more and more violent, until reason in the slave turns to mad and empty mindlessness. The class struggle begins with the victory of the oppressors over the “holy sprit” confined within the slave: blasphemy against the master’s beliefs – against the master’s soul, the master’s god – goes unpardoned, while the slave’s own soul is ground down in falsehood and destructive labour.

Revolution is not a choice between capitalism and socialism. It is a choice between the violent overthrow of the existing order or our extermination by that order. Is that clear enough? Do we need a little sugar with that?

"You just arrive in a place," said the painter, "and then you leave it again, and yet everything, every single object you take in, is the sum of its prehistory. The older you become, the less you think about the connections you've already established. Table, cow, sky, stream, stone, tree, they've all been studied. Now they just get handled. Objects, the harmonic range of invention, completely unappreciated, no more truck with variation, deepening, gradation. You just try to work out the big connections. Suddenly you look into the macro-structure of the world, and you discover it: a vast ornament of space, nothing else. Humble backgrounds, vast replications--you see you were always lost. As you get older, thinking becomes a tormenting reference mechanism. No merit to it. I say 'tree,' and I see huge forests. I say 'river,' and I see every river. I say 'house,' and I see cities with their seas of roofs. I say snow,' and I see oceans of it. A thought sets off the whole thing. Where it takes art is to think small as well as big, to be present on every scale ..."

"The man who gets to the top of the tree is forced to realize there is not top and no tree. I was your age when I first grasped that nothing is worth the least effort. It both calmed me and unsettled me. Now it frightens me." He referred to his condition as "expeditions into the jungle of solitude. It's like having to make my way through millennia, just because a couple of moments are after me with big sticks," he said.

How is it that all his thoughts circle around suicide? Is it permissible for suicide to be a sort of secret pleasure to a man? What is suicide anyway? Self-extinction. Rightly or wrongly. By what right? Why not? I tried to focus my thoughts on the one point: is suicide permissible? I had no answer. None. Because people are no answer, and can't be, nor is anything living, and not the dead either. By committing suicide, I am destroying something for which I am not to blame. Something entrusted to me, then? By whom? When? Did I realize it at the time? No. But an unignorable voice tells me that suicide is a sin. Sin? As easy as that? It's something that will bring the whole edifice to collapse, says the voice. Edifice? What edifice? His watchword, whether asleep or awake: suicide! It will choke him. He is bricking up one window after another. Before long, he'll have walled himself up. Then, once he can't see out anymore, because he can't breathe anymore, he'll be persuasive: because he'll be dead. I have the sense of standing in the shadow of a thought of his that is very close to me: the thought of his suicide.

"Their excuses have been noted. Their sexuality can be sniffed. One can feel what they think and what they want, these people, sense what forbidden things they are continually contriving. Their beds are under the window or in the doorway, or they don't even bother with beds: they go from atrocity to atrocity ... The men treat the women like pieces of tenderized meat, and vice versa, now one, now the other, depending on their respective imbecility. The primitive is everywhere. Some behave as if by prior arrangement, others seem to come to it naturally ... their too-tight trousers and skirts seem to drive them wild. The evenings go on and on: it's all too much. A few yards here or there, in or out, so as not to have to freeze ... Their mouths are taciturn, the rest goes wild ... day dawns, and you don't know which way is up. Sex is what does for them all. Sex, the disease that kills by its nature. Sooner or later, it will kill off even the deepest intimacy ... it brings about the conversion of one into the other, of good into evil, from here to there, from high to low. Godless, because ruination appears first ... the moral becomes immoral (a model of universal decline). The forked tongue of nature, you might say. The way the workers go around here, "he said, "they live for sex, like most people, like all people ... they live to the end of their days in a continual wild process against modesty and time and vice versa: ruination. Time sends them on their way to unchastity with a slap. Some are more accomplished at concealing it than others. With the canny ones, you only realize when they're all done. But it's for nothing. All of them live a sex life, and not a life."

"Childhood is all the same. Only to one person, it will seem ordinary, to a second benign, and to a third satanic."

"Nature is bloody," he said, "but bloodiest toward her own finest, most remarkable, and choicest gifts. She grinds them down without battin an eyelid."

Sexual pleasure was not only superior, in refinement and violence, to all the other pleasures life had to offer; it was not only the one pleasure with which there is no collateral damage to the organism, but which on the contrary contributes to maintaining it at its highest level of vitality and strength; it was in truth the sole pleasure, the sole objective of human existence, and all other pleasures--whether associated with rich food, tobacco, alcohol, or drugs--were only derisory and desperate compensations, mini-suicides that did not have the courage to speak their name, attempts to speed up the destruction of a body that no longer had access to the one real pleasure. Thus human life was organized in a terribly simple fashion, and for twenty years or so, in my scripts and sketches, I had pussyfooted around a reality that I could have expressed in just a few sentences. Youth was the time for happiness, its only season; young people, leading a lazy, carefree life, partially occupied by scarcely absorbing studies, were able to devote themselves unlimitedly to the liberated exultation of their bodies. They could play, dance, love, and multiply their pleasures. They could leave a party, in the early hours of the morning, in the company of sexual partners they had chosen, and contemplate the dreary line of employees going to work. They were the salt of the earth, and everything was given to them, everything was permitted for them, everything was possible. Later on, having started a family, having entered the adult world, they would be introduced to worry, work, responsibility, and the difficulties of existence; they would have to pay taxes, submit themselves to administrative formalities while ceaselessly bearing witnesses--powerless and shame-filled--to the irreversible degradation of their own bodies, which would be slow at first, then increasingly rapid; above all, they would have to look after children, mortal enemies, in their own homes, they would have to pamper them, feed them, worry about their illnesses, provide the means for their education and their pleasure, and unlike in the world of animals, this would last not just for a season, they would remain slaves of their offspring always, the time of joy was well and truly over for them, they would have to continue to suffer until the end, in pain and with increasing health problems, until they were no longer good for anything and were definitively thrown onto the rubbish heap, cumbersome and useless. In return, their children would not be at all grateful, on the contrary their efforts, however strenuous, would never be considered enough, they would, until the bitter end, be considered guilty because of the simple fact of being parents. From this sad life, marked by shame, all joy would be pitilessly banished. When they wanted to draw near to young people's bodies, they would be chased away, rejected, ridiculed, insulted, and, more and more often nowadays, imprisoned. The physical bodies of young people, the only desirable possession the world has ever produced, were reserved for the exclusive use of the young, and the fate of the old was to work and to suffer. This was the true meaning of solidarity between generations; it was a pure and simple holocaust of each generation in favor of the one that had replaced it, a cruel, prolonged holocaust that brought with it no consolation, no comfort, nor any material or emotional compensation.

Eneug II

world world world world
and the face grave
cloud against the evening

de morituris nihil nisi

and the face crumbling shyly
too late to darken the sky
blushing away into the evening
shuddering away like a gaffe

veronica mundi
veronica munda
give us a wipe for the love of Jesus

sweating like Judas
tired of dying
tired of policemen
feet in marmalade
sweating profusely
heart in marmalade
smoke more fruit
the old heart the old heart
breaking outside congress
doch I assure thee
lying on the O'Connell Bridge
goggling at the tulips of the evening
the green tulips
shining round the corner like an anthrax
shining on Gunness's barges

the overtone the face
too late to brighten the sky
doch doch I assure thee

The Oedpial situation in the zone these days is terrible. There is no dignity. The mothers have been masculinized to old worn money bags of no sexual interest to anyone, and yet here are their songs, still trapped inside intertias of lust that are 40 years out of date. The fathers have no power today and never did, but because 40 years ago we could not kill them, we are condemned now to the same passivity, the same masochist fantasies they cherished in secret, and worse, we are condemned in our weakness to impersonate men of power our own infant children must hate, and wish to usurp the place of, and fail ..... So generation after generation of men in love with pain and passivity serve out their time in the Zone, silent redolent of faded sperm, terrified of dying, desperately addicted to the comforts others sell them, however useless, ugly or shallow, willing to have life defined for them by men whose only talent is for death.

Hartle and Gell-Mann already establish that the cognitive functioning of the IGUSes (Information Gathering and Utilizing Systems) presupposes conditions of stability and the mutual exclusion of sequences of events. For an IGUS observer, whether natural or artificial, only one branch of universe can be endowed with a real existence; if this conclusion does not exclude in any way the possibility of other branches of the universe, it forbids any access to them to a given observer: to use the quite mysterious but synthetic expression of Gell-Mann, "On every branch, only this branch is preserved." The very presence of a community of observers, even reduced to two IGUESes, was thus proof of the existence of a reality.

For Esther, as for all the young girls of her generation, sexuality was just a pleasant pastime, driven by seduction and eroticism, which implied no particular sentimental commitment; undoubtedly love, like pity, according to Nietzsche, had never been anything but a fiction invented by the weak to make the strong feel guilty, to introduce limits to their natural freedom and ferocity. Women had been weak, in particular at the moment of giving birth, early on they had needed to live under the guardianship of a powerful protector, and to this end they had invented love, but now they had become strong, they were independent and free, and they had given up inspiring or indeed feeling a sentiment that no longer had any concrete justification. The centuries-old male project, perfectly expressed nowadays by pornographic films, that consisted of ridding sexuality of any emotional connotation in order to bring it back into the realm of pure entertainment had finally, in this generation, been accomplished. What I was feeling ,these young people could not feel, nor even exactly understand and if they had been able to feel something like it, it would have made them uncomfortable, as if it were something ridiculous and a little shameful, like stigmata in ancient times. They had succeeded in tearing from their hearts one of the oldest human feelings, and now it was done, what had been destroyed could no longer be put back together, no more than the pieces of a broken cup can be reassembled, they had reached their goal: at no moment in their lives would they ever know love. They were free.

Ah to know for sure that this thing has no end, this thing, this thing, this farrago of silence and words, of silence that is not silence and barely murmured words. Or to know it's life still, a form of life, ordained to end, as others ended and will end, till life ends, in all its forms. Words, mine was never more than that, than his pell-mell babel of silence and words, my viewless form described as ended, or to come, or still in progress, depending on the words, the moments, long may it last in that singular way. . . . It's because I haven't hit on the right ones, the killers, haven't yet heaved them up from that heart-burning glut of words, with what words shall I name my unnamable words?

Even though you can destroy a man, destroying him does not make him cease to exist. On the contrary, if I can put it this way, he begins to exist all the more. These are paradoxes no tyrant can deal with. The scythe swings, and at once the grass starts to grow back. Cut again and the grass grows faster than ever. A very comforting law of nature.

[attributed to an anonymous Iranian]

The alarm clock placed by his pillow, undaunted by the humming of the fan, was marking off time with a dull tocking. The clock was a sardonic embellishment to his daily life, for he had never once used to it wake him. His consciousness flowed on, day and night, like a murmuring brook; he was long used at night to maintaining himself transparent like crystal within it, and the alarm clock was the friend, the Sancho Panza, that turned the custom into a comedy on his behalf. The cheap sound of its mechanism was a splendid source of comfort: it made a farce of any continuity in him.

The human mind, he explained, developed by the creation and progressive chemical reinforcement of neural networks of variable length, from two to fifty neurons, if not more. As a human brain contained several billion neurons, the number of combinations, and therefore of possible circuits, was staggering--it went way beyond, for example, the number of molecules in the universe.

The number of circuits used varied greatly from one individual to the next, which sufficed, according to him, to explain the countless gradations between idiocy and genius. But, even more remarkably, a frequently used neuronal circuit became, as a result of ionic accumulations, easier and easier to use--there was, in short, progressive self-reinforcement, and that applied to everything: ideas, addictions, and moods. The phenomenon was proven for individual psychological reactions as well as for social relations: to conscientize mental blocks only reinforced them; trying to settle a conflict between two people generally made it insoluble. Knowall then launched a pitiless attack on Freudian theory, which was not only based on no consistent physiological foundations, but also led to dramatic results that were directly contrary to the chosen goal. On the screen behind him, the succession of diagrams that had punctuated his speech stopped and was replaced by a brief and poignant documentary devoted to the mental--and sometimes unbearable--sufferings of Vietnam veterans. They couldn't forget, had nightmares every night, could no longer even drive or cross the street without assistance, they lived constantly in fear and it seemed impossible for them to readapt to a normal social life. It focused then on the case of a stooped, wrinkled man who had only a thin crown of disheveled red hair and who seemed to be truly reduced to a wreck: he trembled constantly, could no longer leave his house, and was in need of permanent medical asssistance; and he suffered, suffered without end. In the cupboard of his dining room he kept a little jar, filled with oil from Vietnam; every time he opened the cupboard and took out the jar, he broke down in tears.

"Stop," said Knowall. "Stop." The image froze on the close-up of the old man in tears. "Stupidity," continued Knowall. "Completed and utter stupidity. The first thing this man should do is take his bottle of Vietnamese soil and throw it out the window. Every time he opens the cupboard, every time he takes out the bottle--and sometimes he does it up to fifty times a day--he reinforces the neuro-circuit, and condemns himself to suffer a little more. Similarly, every time that we dwell on the past, that we return to a painful episode--and this is more or less what psychoanalysis boils down to--we increase the chances of reproducing it. Instead of advancing, we bury ourselves. Whenever we experience sadness, disappointment, something that prevents us from living, we must start by moving out, burning photos, avoiding talking to anyone about it. Repressed memories disappear; this can take some time, but they disappear in the end. The circuit deactivates itself."

The sole way, it seemed to her often enough when she was working at writing a poem, to use words with meaning, would be to choose words, for themselves, and invest them with her own meaning: not her own, perhaps, but meaning which was implicit in their shape, too frequently nothing to do with dictionary definition. The words which the tradition of her art offered her were by now, in chaos, coerced through the contexts of a million inanities, the printed page everywhere opiate, row upon row of compelling idiocies disposed to induce stupor, coma, necrotic convulsion; and when they reached her hands they were brittle, straining and cracking, sometimes they broke under the burden which her tense will imposed, and she found herself clutching their fragments, attempting again with this shabby equipment her raid on the inarticulate.

He's surrounded by untalented people, as we all are. Originality is a device that untalented people use to impress other untalented people, and protect themselves from talented people...
- Valentine, this is the last time ...
- Most original people are forced to devote all their time to plagiarizing. Their only difficulty is that is they have a spark of wit or wisdom themselves, they're given no credit. The curse of cleverness. Now wait, Brown. Stop. Stop there where you are and relax for a moment. We still have some business to straighten out. He needs to talk or he'll come to pieces, isn't that what you told me before he got here? Well let him talk, he's said some very interesting things. But don't let him talk to himself, that's all he's been doing, that's all he does when he talks to you and you don't listen, he knows you don't. Let him talk, then, but listen to him. He may not say anything clever, but that's just as well. Most people are clever because they don't know how to be honest. He paused.
- Come, my dear fellow. If you don't say anything I shan't be able to use you in this novel, the one in which Brown figures so monumentally since everyone thinks he's honest because he doesn't know how to be clever.

- Because, my dear fellow, no one knows what you're thinking. And that is why people read novels, to identify projections of their own unconscious. The hero has to be fearfully real, to convince them of their own reality, which they rather doubt. A novel without a hero would be distracting in the extreme. They have to know what you think, or good heavens, how can they know that you're going through some wild conflict, which is after all the duty of a hero.

-Esther it isn't the secrecy, the darkness everywhere, so much as the lateness. I mean I get used to myself at night, it takes that long sometimes. The first thing in the morning I feel sort of undefined, but by midnight you've done all the things you have to do, I mean all the things like meeting people and, you know, and paying bills, and by night those things are done because by then there's nothing you can do about them if they aren't done, so there you are alone and you have the things that matter, after the whole day you can sort of take everything that's happened and go over it alone. I mean I'm never really sure who I am until night, he added.

-And do you know the worst thing? she went on. -Do you know the hardest thing of all? The waiting. A woman is always waiting. She's ... always waiting.

-Listen ... , he said. He'd withdrawn his hand on the table top automatically. -That's what it is, this arrogance, in this flamenco music this same arrogance of suffering, listen. The strength of it's what's so overpowering, the self-sufficiency that's so delicate and tender without an instant of sentimentality. With infinite pity but refusing pity, it's a precision of suffering, he went on, abruptly working his hand in the air as though to shape it there, -the tremendous tension of violence all enclosed in a framework, ... in a pattern that doesn't pretend to any other level but it's own, do you know what I mean? He barely glanced at her to see if she did.
-It's the privacy, the exquisite sense of privacy about it, he said speaking more rapidly, -it's the sense of privacy that most popular expressions of suffering don't have, don't dare have, that's what makes it arrogant. That what sentimentalizing invades and corrupts, that's what we've lost everywhere, especially here where they make every possible assault on your feelings and privacy. These things have their own patterns, suffering and violence, and that's ... the sense of violence within its own pattern, the pattern that belongs to violence like the bullfight, that's why the bullfight is art, because it respects its own pattern ...

This passion for wanting to meet the latest poet, shake hands with the latest novelist, get hold of the latest painter, devour ... what is it? What is it they want from a man that they didn't get from his work? What do they expect? What is there left of him when he's done his work? What's any artist, but the dregs of his work? the human shambles that follows it around. What's left of the man when the work's done but a shambles of apology.

That romantic disease, originality, all around we see originality of incompetent idiots, they could draw nothing, paint nothing, just so the mess they make is original ... Even two hundred years ago who wanted to be original, to be original was to admit that you could not do a thing the right way, so you could only do it your own way. When you paint you do not try to make it better, so you copy masters, only masters, for with each copy of a copy the form degenerates ... you do not invent shapes, you know them, auswendig wissen Sie, by heart ...

But I don't get pissed, y'all don't even see through the mist
How the fuck can I be white, I don't even exist
I get a clean shave, bathe, go to a rave
Die from an overdose and dig myself up out of my grave
My middle finger won't go down, how do I wave?

His characters sing of lost paradises and unforgettable hopes, and the song is one of cruelty and greed; exploitation, cheating, lies. The deceived sing of their deception, learn its causes and regain the truths of their dreams.

[ref Brecht]

— But this one there's no name it's, they use computers. He brandished a flyer carrying a man's face eradicated by punched holes and numbers.
— They use, they call it coded anonymity, where they can make more meaningful evaluations of qualifi...
— What do you need to put your anonymity in code for?
— Respecting the dignity of the private individ...
— Nobody knows who you are anyway.

There is nothing so vain, absurd, ridiculous, extravagant, impossible, incredible, so monstrous a chimera, so prodigious and strange, that [melancholy men] will not fear, feign, suspect and imagine unto themselves. Lod. Vives said in a jest of a silly country fellow that killed his ass for drinking up the moon: ut lunam mundo redderet, you truly may say of them in earnest; they will act, concieve all extremes, contrarieties, and contradictions, and that in infinite varieties.

- Vulgarity, cupidity, and power. Is that what frightens you? Is that all you see around you, and you think it was different then? Flanders in the fifteenth century, do you think it was all like the Adoration of the Mystic Lamb? What about the paintings we've never seen? the trash that's disappeared? Just because we have a few masterpieces left, do you think they were all masterpieces left, do you think they were all masterpieces? What about the pictures we've never seen, and never will see? that were as bad as anything that's ever been done. And your precious van Eyck, do you think he didn't live up to his neck in a loud vulgar court? In a world where everything was done for the same reasons everything's done now? for vanity and avarice and lust? and the boundless egoism of these Chancellor Rolins? Do you think they knew the difference between what was bizarre and what was beautiful? that their vulgar ostentation didn't stifle beauty everywhere, everywhere? the way it's doing today? Yes, damn it, listen to me now, and swear by all that's ugly! Do you think any painter did anything but hire himself out? These fine altarpieces, do you think they glorified anyone but the vulgar having men who commissioned them? Do you think a van Eyck didn't curse having to whore away his genius, to waste his genius, to waste his talents on all sorts of vulgar celebrations, at the mercy of people he hated?

Blood flowed over his broken tooth. He'd turned away, but swung about again unable to stop. - Yes, I remember your little talk, your insane upside-down apology for these pictures, every figure and every object with its own presence, its own consciousness because it was being looked at by God! Do you know what it was? What it really was? that everything was so afraid, so uncertain God saw it, that it insisted its vanity on His eyes? Fear, fear, pessimism and fear and depression everywhere, the way it is today, that why your pictures are so cluttered with detail, this terror of emptiness, this absolute terror of space. Because maybe God isn't watching. Maybe He doesn't see. Oh, this pious cult of Middle Ages! Being looked at by God! Is there a moment of faith in any of their work, in one centimeter of canvas? or is it vanity and fear, the same decadence that surrounds us now. A profound mistrust in God, and they need every idea out where they can see it, where they can get their hands on it. Your ... detail, he commenced to falter a little, - your Bouts, was there ever a worse bourgeois than your Dierick Bouts? and his damned details? Talk to me of separate consciousness, being looked at by God, and then swear by all that's ugly! Talk to me about your precious van Eycks, and be proud to be as wrong as they were, as wrong as everyone around them was, as wrong as he was. And Basil Valentine flung out a hand to the broken hulk on the floor, toward which he backed the retreating figure before him. -Separation, he said in a voice near a whisper, - all of it cluttered with separation, everything in its own vain shell, everything separate withdrawn from everything else. Being looked at by God! Is there separation in God!

The 9/11 Truth movement is really distinguished by a kind of defiant unfamiliarity with the actual character of America's ruling class. In 9/11 lore the people who staff the White House, the security agencies, the Pentagon and groups like PNAC and the Council of Foreign Relations are imagined to be a monolithic, united class of dastardly, swashbuckling risk-takers with permanent hard-ons for Bourne Supremacy-style "false flag" and "black bag" operations, instead of the mundanely greedy, risk-averse, backstabbing, lawn-tending, half-clever suburban golfers they are in real life. It completely misunderstands the nature of American government -- fails to see that the old maxim about "the business of America is business" is absolutely true, that the federal government in this country is really just a lo-rent time-share property seasonally occupied by this or that clan of financial interests, each of which takes its 4-year turn at the helm tinkering with the tax laws and regulatory code and the rates at the Fed in the way it thinks will best keep the money train rolling.

The people who really run America don't send the likes of George Bush and Dick Cheney to the White House to cook up boat-rocking, maniacal world-domination plans and commit massive criminal conspiracies on live national television; they send them there to repeal PUCHA and dole out funds for the F-22 and pass energy bills with $14 billion tax breaks and slash fuel efficiency standards and do all the other shit that never makes the papers but keeps Wall Street and the country's corporate boardrooms happy. You don't elect politicians to commit crimes; you elect politicians to make your crimes legal. That is the whole purpose of the racket of government. Another other use of it would be a terrible investment, and the financial class in this country didn't get to where it is by betting on the ability of a president whose lips move when he reads to blow up two Manhattan skyscrapers in broad daylight without getting caught.

But according to 9/11 Truth lore, the financial patrons of democratic government were game for exactly that sort of gamble. According to the movement, the Powers That Be in the year 2000 spent $200 million electing George Bush and Dick Cheney because they were insufficiently impressed with the docility of the American population. What was needed, apparently, was a mass distraction, a gruesome mass murder that would whip the American population into a war frenzy. The same people who had managed in the 2000 election to sell billionaire petro-royalist George Bush as an ordinary down-to-earth ranch hand apparently so completely lacked confidence in their own propaganda skills that they resorted to ordering a mass murder on American soil as a way of cajoling America to go to war against a second-rate tyrant like Saddam Hussein. As if getting America to support going to war even against innocent countries had ever been hard before!

The truly sad thing about the 9/11 Truth movement is that it's based upon the wildly erroneous proposition that our leaders would ever be frightened enough of public opinion to feel the need to pull off this kind of stunt before acting in a place like Afghanistan or Iraq. At its heart, 9/11 Truth is a conceit, a narcissistic pipe dream for a dingbat, sheeplike population that is pleased to imagine itself dangerous and ungovernable. Rather than admit to their own powerlessness and irrelevance, or admit that they've spent the last fifty years or so electing leaders who openly handed their tax money to business cronies and golfed in Scotland while middle America's jobs were being sent overseas, the adherents to 9/11 Truth instead flatter themselves with fantasies about a ruling class obsessed with keeping the terrible truth from the watchful, exacting eye of The People.

What you call dreaming is very real for the warrior.

Breakfast is the only meal of the day that I tend to view with the same kind of traditionalized reverence that most people associate with Lunch and Dinner. I like to eat breakfast alone, and almost never before noon; anybody with a terminally jangled lifestyle needs at least one psychic anchor every twenty-four hours, and mine is breakfast. In Hong Kong, Dallas or at home — and regardless of whether or not I have been to bed — breakfast is a personal ritual that can only be properly observed alone, and in a spirit of genuine excess. The food factor should always be massive: four Bloody Marys, two grapefruits, a pot of coffee, Rangoon crepes, a half-pound of either sausage, bacon, or corned beef hash with diced chiles, a Spanish omelette or eggs Benedict, a quart of milk, a chopped lemon for random seasoning, and something like a slice of Key lime pie, two margaritas, and six lines of the best cocaine for dessert…. Right, and there should also be two or three newspapers, all mail and messages, a telephone, a notebook for planning the next twenty-four hours and at least one source of good music…. All of which should be dealt with outside, in the warmth of a hot sun, and preferably stone naked.

There are times, however, and this is one of them, when even being right feels wrong. What do you say, for instance, about a generation that has been taught that rain is poison and sex is death? If making love might be fatal and if a cool spring breeze on any summer afternoon can turn a crystal blue lake into a puddle of black poison right in front of your eyes, there is not much left except TV and relentless masturbation. It's a strange world. Some people get rich and others eat shit and die.

The so called "Russian Soul" can be also explained by origins of the Russian people. Proverbial slowness of Finns ("hot finish lads!") can be seen as phenomenon of Russian soul. Enigmatical Russian Soul is simply Russian man, uncertain, slow to decide, hesitating, never sure of itself, never sure of its own decision. Forest man with a milky skin, with thin blond hair. Not a Slav, but a Finn, Finn, Finn! And don't accuse me of racism. Happily we have Turks and all sorts of Mongols amongst us. But the sick from alcoholism urban Russian Europeans are descendants of native Urgo-Finns and their tribes. They have shadowy mysterious souls because for hundred generations their ancestors were living by the river banks in the forests. They like to get drunk and to weep. Of too many trees, of too much of river's water the Russian Soul is created.

[I]f once you're started in living, you're born into sin, then? And how do you atone? By locking yourself up in remorse for what you might have done? Or by living it through. By locking yourself up in remorse with what you know you have done? Or by going back and living it through. By locking yourself up with your work, until it becomes a gessoed surface, all prepared, clean, and smooth as ivory? Or by living it through. By drawing lines in your mind? Or by living it through. If it was sin from the start, and possible all the time, to know it's possible and avoid it? Or by living it through. I used to wonder how Christ could really have been tempted, if He was sinless, and rejected the first, and the second, and the third temptation, how was He tempted? ... how did He know what it was, the way we do, to be tempted? No, He was Christ. But for us, with it there from the start, and possible all the time, to go on knowing it's possible and pretend to avoid it? Or ... to have lived it through, and live it through, and deliberately go on living it through.

- You listen to me. I've just taken a lot from you. I've taken a lot from people just like you. Just like you. That's tough, isn't it, just like you, that this town is loaded with people just like you, the world is loaded with people just like you. The honest men who are too good to fit anywhere. You're one of the people, aren't you. Look at your hands, have you ever had a callus? You don't get them lifting glasses. Who are you, to be so bitter? Have you ever done one day of work?
- Look
- And now I understand. And you talk to me about life, about real life, about human misery, Benny went on. He was not speaking loudly, nor fast, still the cold but vehement and level tone of his voice drew several people to turn around, and listen and watch. The other sat his ground with a patient sneer. - I offered you work, and you were too good for it. We buy stuff from guys like you all the time, writing under pen names to protect names that are never going to be published anywhere else, but they keep thinking they'll make it, what they want to do, but never quite manage, and they keep on doing what they're too good for. It's a joke. It's a joke, Benny repeated, and it was now that his voice began to rise.
-I know you, I know you. You're the only serious person in the room aren't you, the only one who understands, and you can prove it by the fact that you've never finished a single thing in your life. You're the only well-educated person, because you never went to college, and you resent education, you resent social ease, you resent good manners, you resent success, you resent any kind of success, you resent God, you resent Christ, you resent thousand-dollar bills, you resent Christmas, by God, you resent happiness, you resent happiness itself, because none of that's real. What is real, then? Nothing's real to you that isn't part of your own past, real life, a swamp of failures, of social, sexual, financial, personal, . . . spiritual failure. Real life. You poor bastard. You don't know what real life is, you've never been near it. All you have a thousand intellectualized ideas about life. But life? Have you ever measured yourself against anything but your own lousy past? Have you ever faced anything outside yourself? Life! You poor bastard. Benny started to laugh.

The advantage of having a dog for company lies in the fact that it is possible to make him happy; he demands such simple things, his ego is so limited. Possibly, in a previous era, women found themselves in a comparable situation--similar to that of domestic animals. Undoubtedly there used to be a form of demotic happiness, connected to the functioning of the whole, which we are no longer able to understand; there was undoubtedly the pleasure of constituting a functional organism, one that was adequate, conceived with the purpose of accomplishing a discrete series of tasks--and these tasks, through repetition, constituted a discrete series of days. All that has disappeared, along with the series of tasks; we no longer really have any specific objective; the joys of humans remain unknowable to us, inversely, we cannot be torn apart by their sorrows. Our nights are no longer shaken by terror or by ecstasy. We live, however; we go through life, without joy and without mystery; time seems brief to us.

Art is always aimed (like a rifle, if you wish) at the middle class. The working class has its own culture and will have no truck with fanciness of any kind. The upper class owns the world and thus needs know no more about the world than is necessary for its orderly exploitation. The notion that art cuts across class boundaries to stir the hearts of hoe hand and Morgan alike is, at best, a fiction useful to the artist, his Hail Mary. It is the poor puzzled bourgeoisie that is sufficiently uncertain, sufficiently hopeful, to pay attention to art. It follows (as the night the day) that the bourgeoisie should get it in the neck.

It isn't just that McFarlane's Family Guy shamelessly plagiarizes from The Simpsons, nor is it just the endless cheap references to bad pop culture icons. Family Guy is much worse and much more evil than that: an anti-Simpsons antidote for zombies who want to get rid of the annoying buzz of vestigial decency in their rotting heads. They want that decency removed, and Family Guy does it non-stop, scene by scene, undoing the unwanted education all those Simpson episodes forced down their throats with a spoonful of sugar. McFarlane's show reinforces their meanest, dumbest instincts.

It was only much later, after I had begun to learn the language of the flesh, that I undertook to help in shouldering a portable shrine, and was at last able to solve the puzzle that had plagued me since infancy. They were simply looking at the sky. In their eyes there was no vision: only the reflection of the blue and absolute skies of early autumn, Those blue skies, though, were unusual skies such as I might never see again in my life: one moment strung up high aloft, the next plunged to the depths; constantly shifting, a strange compound of lucidity and madness.

I promptly set down what I had discovered in a short essay, so important did my experience seem to me.

In short, I had found myself at a point where there were no grounds for doubting that the sky that my own poetic intuition had shown me, and the sky revealed to the eyes of those ordinary young men of the neighborhood, were identical. That moment for which I had been waiting so long was a blessing that the sun and the steel had conferred on me. Why, you may ask, were there no grounds for doubt? Because, provided certain physical conditions are equal and a certain physical burden shared, so long as an equal physical stress is savored and an identical intoxication overtakes all alike, then differences of individual sensibility are restricted by countless factors to an absolute minimum. If, in addition, the introspective element is removed almost completely--then one is safe in asserting that what I had witnessed was no individual illusion, but one fragment of a well-defined group vision. My "poetic intuition" did not become a personal privilege until later, when I used words to recall and reconstruct that vision; my eyes, in their meeting with the blue sky, had penetrated to the essential pathos of the doer.

And in that swaying blue sky that, like a fierce bird of prey with wings outstretched, alternately swept down an soared upwards to infinity, I perceived the true nature of what I had long referred to as "tragic."

When I examine closely my early childhood, I realize that my memory of words reaches back far farther than my memory of the flesh. In the average person, I imagine, the body precedes language. In my case, words came first of all; then--belatedly, with every appearance of extreme reluctance, and already clothed in concepts--came the flesh. It was already, as goes without saying, sadly wasted by words.

[. . .]

Many people will express disbelief that such a process could already be at work in a person's earliest years. But that, beyond doubt, is what happened to me personally, thereby laying the ground for two contradictory tendencies within myself. One was the determination to press head loyally with the corrosive function of words, and to make that my life's work. The other was the desire to encounter reality in some field where words should play no part at all.

Fever or not, I always have such a buzzing in both ears that it can't get much worse. I've had it since the war. Madness has been hot on my trail ... no exaggeration ... for twenty-two years. That's quite a package. She's tried a million different noises, a tremendous hullabaloo, but I raved faster than she could, I screwed her, I beat her to the tape. That's how I do it. I shoot the shit, I charm her, I force her to forget me. My great rival is music, it sticks in the bottom of my ear and rots ... it never stops scolding ... it dazes me with blasts of the trombone, it keeps on day and night. I've got every noise in nature, from the flute to Niagara Falls ... Wherever I go, I've got drums with me and an avalanche of trombones ... for weeks on end I play the triangle ... On the bugle I can't be beat. I still have my own private birdhouse complete with three thousand five hundred and twenty-seven birds that will never calm down ... I am the organs of the Universe ... I provide everything, the ham, the spirit, and the breath ... Often I seem to be worn out, my thoughts stagger and sprawl ... I'm not very good to them. I'm working up the opera of the deluge. As the curtain falls, the midnight train pulls into the station ... The glass dome shatters and collapses ... The steam escapes through two dozen valves ... The couplings bounce sky-high ... In wide-open carriages three hundred musicians soused to the gills rend the air, playing forty-five bars at once...

For twenty-two years she's been trying to carry me off ... at exactly midnight ... But I can fight back ... with twelve pure symphonies of cymbals, two cataracts of nightingales ... a whole troupe of seals being roasted over a slow fire ... It's bachelor's work ... that's for sure. It's my second life. Anyway it's my business.

The tradition of the oppressed teaches us that the ‘state of emergency’ in which we live is not the exception but the rule. We must attain to a conception of history that is in keeping with this insight. Then we shall clearly realize that it is our task to bring about a real state of emergency, and this will improve our position in the struggle against Fascism. One reason why Fascism has a chance is that in the name of progress its opponents treat it as a historical norm. The current amazement that the things we are experiencing are ‘still’ possible in the twentieth century is not philosophical. This amazement is not the beginning of knowledge--unless it is the knowledge that the view of history which gives rise to it is untenable.