Women’s functions vary widely in the Muslim world and in Muslim history. In peasant communities, women work out of doors; in the desert, and among urban elites, womanhood is more frequently celebrated in the home. Recurrently, however, the public space is rigorously desexualised, and this is represented by the quasi-monastic garb of men and women, where frequently the colour white is the colour of the male, while black, significantly the sign of interiority, of the Ka‘ba and hence the celestial Layla, denotes femininity. In the private space of the home these signs are cast aside, and the home becomes as colourful as the public space is austere and polarised. Modernity, refusing to recognise gender as sacred sign, and delighting in random erotic signalling, renders the public space ‘domestic’ by colouring it, and makes war on all remnants of gender separation, crudely construed as judgemental.